Monday, March 30, 2009

TBGB Pick of the Week: March 30, 2009

“The Love of God”
Soul Stirrers
From the Malaco Records CD A Soul Stirring Reunion 2008
www.malaco.com

In the early 1950s, Sam Cooke transformed the Soul Stirrers' sound from hypnotic harmonies and dueling lead singers to a youthful vibe fronted by a singer with pop sensibilities. That’s a mouthful, but legions of Stirrers leads after Cooke, including Johnnie Taylor, Leroy Crume, Martin Jacox and Willie Rogers, adopted the effortless singing and trademark yodel that Cooke introduced to the group.

On Malaco’s A Soul Stirring Reunion, the quartet reprises this sophisticated sound more than fifty years after the transformation. Floyd Taylor performs “The Love of God” like his father, the late Johnnie Taylor, did in 1958, when the latter emulated his predecessor, Sam Cooke, with uncanny accuracy. Backing Taylor on "The Love of God" from A Soul Stirring Reunion are card-carrying Stirrers LeRoy and Arthur Crume, Eddie Huffman, Willie Rogers and Reverend Luther Gamble.

Incidentally, LeRoy Crume was also present for the 1958 recording of the song, as singer and guitarist, and the late Evelyn Gay tickled the gospel ivories.

Sunday, March 29, 2009

"God is Able" - Joe Leavell & St. Stephen Temple Choir

“God is Able”
Joe Leavell & St. Stephen Temple Choir
From the CD God is Able (Emtro Gospel 2009)
www.emtro.com

Recordings by big choirs may not be as popular on the radio as they once were, but several are making noise on the Radio & Records gospel national airplay chart right now. Among the charters are the Arkansas Gospel Mass Choir, the Full Gospel Baptist Church Fellowship, and Joe Leavell & St. Stephen Temple Choir.

The latter’s “God is Able,” from the album of the same name, is moving steadily up the rankings, no doubt propelled by its simple and timely message of trust and hope during tough times.

Musically, “God is Able” is wrapped in traditional chords and blue notes, courtesy of the musicians. Waves of full-bodied choral harmonies and key changes hit the listener like high tide as they build to a big finish. Leavell’s hard-shouting lead enhances its traditional sound. An impressive debut from this Louisville, Kentucky group.

Friday, March 27, 2009

"I Almost Blew It" - LaShell Griffin

“I Almost Blew It”
LaShell Griffin
From the CD Dreams Are Possible (DAP Music 2008)
www.lashellgriffin.org

LaShell Griffin, champion of Oprah’s 2004 Pop Star Challenge, has really been working it.

Whether singing the National Anthem on the campaign trail for Barack Obama, appearing in several national magazines, or appearing this June at the Gracies Awards ceremony for women in television and radio, Griffin is establishing herself as a formidable contender in the gospel music field.

Given her full-court press, the title of the latest single, “I Almost Blew It,” either sounds ironic or is refreshingly candid. Sassy like Mary J. Blige and strewing RnB hooks every which way, LaShell Griffin relates how the temptations (and smarminess) of stardom almost blew her off course. Yet and still, the Lord brought her to her senses: “I didn’t bring you this far to leave you dangling on a string.”

I’m not sure whether this is autobiographical, but artists of all music genres will relate to the familiar story and appreciate LaShell’s honesty.

Thursday, March 26, 2009

Daniel Weatherspoon - Official

Official
Daniel Weatherspoon
Longlife Music 2008
www.longlifeentertainment.com

You may not think you know who Daniel Weatherspoon is, but you do.

A veritable Quincy Jones of gospel music, “DW” has served as music director for all the current biggies: Donald Lawrence, the Clark Sisters, the Murrills, Bishop T.D. Jakes, Fred Hammond; and has produced hit-makers such as Shekinah Glory Ministry, Darwin Hobbs, Phil Tarver, and the Tri-City Singers. TBGB reported recently that he played keyboards, back in the day, on Rev. Walter “The Big Man” Butts’ 1991 Get High on Jesus.

Now DW has decided to do something special on his own, something semi-autobiographical, and has gathered some top-shelf talent for his musical “’every man's story’ – seasons of peaks and valleys in this journey called life.”

The result is Official, a project that aims the spotlight on musicianship as much as vocal prowess. The CD opens with two sacred jazz pieces. “Keep it Movin’” is brassy and punctuated by blurts of organ and vocal exclamations of encouragement, the latter ostensibly by Weatherspoon himself. “Longlife” is more complex, cranial and introspective, with the sensitivity of fusion icons Jan Klemmer and John McLaughlin running through its charts.

Weatherspoon throws everything but the kitchen sink into the remainder of the project. Hip hop (“Take Ova’”) and a stunning deep club mix of the album’s “Sun Come Up” (“Sun Dub Mix” – featuring E-Smoove) share space with a funky RnB arrangement of the spiritual, “Everytime I Feel the Spirit,” and a praise and worship track, “Oh How,” featuring the lovely vocals of Gina Thurston and praise leadership from Shekinah Glory Ministry’s Elder Phil Tarver. In fact, “Oh How,” with its hypnotic extended choral section, could be mistaken easily for an unissued SGM track.

To TBGB’s ears, “Sun Come Up” and “I Choose Joy” are the most universally accessible tracks on the album, and if there are to be singles released from this album, they would be the two. “Sun Come Up” benefits from strong vocals courtesy of San Franklin and Jason Nelson, with an able assist from the awesome and underappreciated Bridgette Cambell-Croft. Campbell-Croft also shares her talent on “Everytime,” alongside the vibrant Denise Clark and Bishop Larry D. Trotter of Chicago’s Sweet Holy Spirit Church. “I Choose Joy” concludes the project, and the musical journey to self-awareness and holiness, with appropriate fanfare.

The musicians – and there’s a whole roster of choice players – include organist Richard Gibbs, the omnipresent session guitarist Joey Woolfalk, and Daniel’s brother Michael Weatherspoon on drums.

Official is a musical exploration that may not appeal to every palate, but if you remove the opus from the mind-numbing labeling that happens in music marketing, it certainly works, especially in its ability to showcase the versatility of one heck of a musician pool. Only Daniel Weatherspoon could pull this off, and pull it off with such imagination and inventiveness.

Three of Four Stars

Wednesday, March 25, 2009

Surrender - Daniel Young Music Ministry

Surrender
Daniel Young Music Ministry
Young Entertainment 2008
www.myspace.com/danielyoungmusicministry

Detroit’s Daniel Young may be an independent artist today, but he’s most assuredly a major label talent.

Surrender, the sophomore release by the Daniel Young Music Ministry, is well nigh flawless. This fresh, young singer/songwriter and his combo of well-honed musicians deliver one energetic song after another, each crackling with crisp arrangements, strong pacing, expressive singing and skilled musicianship.

I can’t say enough good things about this project. From “Praise,” which opens with a quick-step interlude that riffs on the congregational rouser, “Praise Him,” to “Don’t Leave,” a lovely praise and worship ballad about the Rapture, the album never drags, never slows, never disappoints, and leaves the listener wanting more.

Surrender confirms Young’s acknowledgement that the mighty production team PAJAM is among his musical influences, as many of the tracks chug along with J Moss flash and swagger. The close and sometimes complex harmonies sung by the background vocalists speak to Young’s fealty to the Winans and Take Six.

Lest one think that Surrender is all sound and no substance, sound Biblical references and stories are peppered throughout the praise and worship lyrics. Young calls what he does “rhythm and praise,” and both are ladled out in equal measures.

The most conventionally gospel-sounding of the album’s fourteen tracks, and the most radio friendly, is the bluesy, quartet-style “I’m So In Love with Jesus.” The song showcases a duet between Young and a fine gospel singer, Tamela Hunt. Immediately following, “I Give” finds Young balladeering with the smoothness of an anointed Major Harris.

Young’s first CD, 2006’s Let You Know, produced two singles, “Awesome” and “It’s Mine,” that reached the top of the Detroit gospel countdown. Surrender is poised to move the Daniel Young Music Ministry from a well-kept secret in the Motor City to national recognition. And deservedly so.

Four of Four Stars

Tuesday, March 24, 2009

Poet Keith Ferguson: Christian Spoken Word Artist

On his Christian spoken word track, “A New Creature,” Poet Keith Ferguson announces, “The Bible says, ‘Let everything that have breath praise ye the Lord.’ We must be able to express ourselves, so if it takes rapping, poetry, making beats, whatever it takes to get your feelings out, just pray.”

TBGB first met Poet Keith Ferguson at the Gospel Music Workshop of America last summer and this month spoke to him by telephone from his home in Fort Worth, Texas.

Tell us a little about yourself.

KF: I am married with three kids, and serve as minister of music and organist for my church. I’ve traveled all over Texas with my poetry.

What inspired you to write and perform Christian spoken word poetry?

KF: It is a gift from God. I never wrote or read poetry before. I never was interested in it, but I had gone through a lot of tough times, and writing became therapy. At the time, I didn’t know that what I was writing were poems. But I went to a poetry workshop and I saw how poets were going through problems, too. They were writing about their problems in their poetry. I looked at my writing again from that perspective, and that’s how I came to be in poetry.

For the uneducated ear, how is a Christian spoken word artist different from a Christian rap artist?

KF: Christian rap artists are more limited than spoken word artists because of the timing. Rap, which means “Rhythm And Poetry,” has to bring the message to a hook. As spoken word artists, we can write everything we want to say without the limitation of eight or sixteen bars. With poetry, you are free to express more than you can in rap.

The downside is that people may be more interested in rap because it has that beat and the majority of spoken word is straight up performing. Some of my pieces have a beat, but they don’t have cutoffs here and there. I’m basically trying to give you the feeling of what I’m feeling when I write. Seventy percent of the performance is presentation.

Honesty is what spoken word is all about, being honest to yourself and encouraging people through your life and your writing.

Your track “Child Abuse” has a particularly compelling message. What inspired you to write and record this piece?

KF: “Child Abuse” was inspired by an incident in which my first cousin left her three-year old child with her boyfriend at that time. Turned out the guy was on some strange drugs. He got tired of hearing the baby crying, and he punched the child 33 times in the stomach. The baby died right there. The boyfriend called the police and said the baby was dead. He ended up going to jail.

Who is the female vocalist on “Child Abuse?”

KF: The female vocalist on the track is Adria Green. She’s a local gospel artist who is working on her own project in the studio now.

Songwriters talk about the process of composing songs, whether it’s a discipline of sitting in a room for eight hours and writing or being inspired on the spot. What is your process for writing poetry?

KF: When I see something, when I am out somewhere and God is speaking to me, I’ll go back home and write about it. Maybe I’ve been to a poetry session, and I get a revelation. It’s not like I can just sit down and write a poem about “Jesus loves the world.” I write when I’m inspired.

Inspiration comes from things I see or live every day. Like my poem, “Suffering.” There was a time when I was going through something and I heard my pastor say that we Christians think we can have this free style life, but suffering has to be part of our walk. The Bible says so. No matter how much you have, you have got to go through something.

Do you think that the larger audience is where they need to be when it comes to appreciating spoken word poetry versus gospel singing?

KF: The audience is definitely growing. We’re seeing more churches opening up to it. The hardest thing has been to get poetry into the churches, even though we are doing poetry everywhere else. We want poetry to grow more on the spiritual side, because our first goal is to minister, whether in a club or church.

What other gospel artists – and specifically spoken word or rap artists – do you listen to or admire?

KF: For Christian spoken word, it’s GF Soldier – he’s a real powerful brother from New Orleans. I look up to him, but we learn and share a lot with each other. We check out each other’s work.

And Kirk Franklin, he’s from the same city I grew up in. I admire his writing skills and I like his slow songs more than his fast ones. They have more meaning to me because they take you straight to worship. We play a lot of those worship songs. My ultimate dude, however, is John P. Kee!

What do you want listeners to feel when they hear your poetry?

KF: I write for two different types of people: Christians and sinners. I want to give conviction to sinners and send them to the light. I do this piece called “The Last Days,” which basically says, "This is it, come to Christ. He’s giving you the warning."

Unlike preachers, lay members and poets can go into the nightclubs. I’m not going into a nightclub to look for a woman – I’m married – but the group of us who go into the clubs offer up Jesus. The people are drinking, smoking, and when we get up on stage, you can hear a pin drop at the back of the room.

One time, a guy at a club said to me, “You are the only God we got.” That meant more to me than any award because someone said that I brought God into the room. That was an awesome thing. We even had an altar call at a club!

On the Christian side, I write to inspire. Suffering…child abuse…why are we doing this to our kids? I want to deal with subjects that aren’t being dealt with in church. I’m telling you things the preachers aren’t. I want to bring out the subjects that are not being discussed in church.

If someone wants to hear or purchase your work, where do they go?

KF: Go to my website: www.poetkeithferguson.com.

Do you have a regular program? Where will you be performing next?

KF: We sponsor “The GUMBO” – God’s Unique Ministry Becoming One.” GUMBO brings in one of each of the different styles, poetry, mime, a live band, and we offer Christians something to do in Fort Worth, something outside of the church so they can worship God in a different atmosphere.

There will be another GUMBO in June and you can check out the website for more information.

“My purpose is to keep the beat…let the beat continue!”

Monday, March 23, 2009

TBGB Pick of the Week: March 23, 2009

“He Didn’t Give Up On Me”
Curtis Branson
From the Stew Records CD I Still Have a Praise (2008)
http://cdbaby.com/cd/curtisbranson

“He Didn’t Give Up on Me” is a gratefully rendered acknowledgement of God’s commitment to, and faith in, His people when they face tribulation and even after they “mess up, gave up the right for the wrong.” Chicagoan Curtis Branson delivers this lovely and inspirational gospel ballad with a humble cry lodged somewhere in the back of his throat.

The simple and honest message, and its presentation by Branson, whose voice combines the huskiness of Michael McDonald and the plaintive shout of Marvin Sapp, follows in the footfalls of Sapp’s 2008 smash, “Never Would Have Made It” in its emotional intensity.

Branson is an experienced music minister who has served as a director of the Combined Choir at Bishop Larry D. Trotter’s Sweet Holy Spirit Church on Chicago’s southeast side. He has recorded with Chicago-based but nationally-known artists such as VaShawn Mitchell and William Steward III & V.O.P.M., and performed with Angela Spivey and the Voices of Victory. I Still Have a Praise is his second CD.

Sunday, March 22, 2009

TBGB Talks with Pastor Donnie McClurkin About New CD Release

TBGB had a chance to speak with Pastor Donnie McClurkin, whose new project, We All Are One (Live in Detroit), is scheduled for release March 31, 2009.

The first single, "Wait on the Lord," was TBGB's March 9 Pick of the Week.

TBGB: Let’s talk about your new album for Verity Records, We All Are One (Live in Detroit). Given your earlier ministry at Detroit’s Perfecting Church, this live album must have felt like a homecoming for you.

DM: It really was like coming home. Straight Gate Church, the host church for the recording, was filled to capacity. People were there who I have known throughout the years, especially from Perfecting Church and Straight Gate.

TBGB: The first single, "Wait on the Lord,” features Karen Clark-Sheard. Have you duetted with Karen before?

DM: Never on a project. I’ve sung with Karen before; whenever you go to a concert, you know, you jump on the stage and sing with somebody. But this is the first recording we did together, because Karen has a voice like nobody else, she can kill you – and there’s my little frog voice with hers! But she’s the most fantastic person. The way that she added to the song was phenomenal.

TBGB: I understand that you duet with other gospel artists on your new CD.

DM: Mary Mary, CeCe Winans, Yolanda Adams, and one of my background vocalists, Duwane Starling. Duwane has a voice better than any male vocalist I’ve heard in the gospel field. I was especially glad to have a chance to showcase him.

TBGB: Do other members of the McClurkin Family perform on the CD?

DM: Yes, the McClurkins are there, including my younger sister Andrea Mellini. Her daughter Brittany Mellini is sixteen and she is part of the project, too.

TBGB: Is there a singer out there – gospel or pop – who you’d like to sing or perform with?

DM: James Taylor and Barbra Streisand. To me, they are the quintessential singers. Barbra, Barbra, if you are out there reading this…! Also Gladys Knight and Aretha Franklin.

TBGB: When listeners hear your music on the new CD, what do you want them to come away with in terms of a message, or a call to action?

DM: I want them to come away with two things – first, knowing how great God is. Every one of the songs is about how great He is, and about God showing us who He is.

Secondly, it’s about unity, how we all need God and we all need each other. We’re divided on the basis of race, but we are the same exact person. If you pull back the pigment of the skin, the pigment of the hair, it’s the same exact person, the same organs and blood vessels. I want people to walk away knowing that regardless of how we live or what we do, we are inextricably linked, and we have to stop denying that.

TBGB: The Black Gospel Blog and its readers were saddened to learn of the passing of your sister, Olivia. How is the family doing right now?

DM: We are coping. We haven’t had a death in the family since 1968, when our two year-old brother died. Olivia was in her late forties, early fifties. She was part of the fabric of the family and now it has been torn away. We have become closer with each other now. We fill in the gap – calling, texting. It’s a hard adjustment. I’m used to singing with Olivia on the microphone, and now she’s not there.

TBGB: Of all the songs you have written and sung, what song means the most to you and why?

DM: It’s like having a lot of children and asking what child you love best. There are different songs with different purposes, and each has a different meaning. I couldn’t say that there’s just one.

I do love the hymns, though, like “Crown Him with Many Crowns,” “Rescue the Perishing.” I’m pastor of a church in New York and we sing the hymns. We also sing the songs of others. We’re stuck on Hezekiah Walker and Marvin Sapp right now.

TBGB: What gospel artist has had the biggest influence on your own work?

DM: Andrae Crouch, and Walter and Edwin Hawkins, because I’m old school!

TBGB: Growing up, would you ever have believed you’d be where you are at today?

DM: Never in a quadrillion years could I have believed that I’m doing what I’m doing! It’s still kind of surreal. I’ve sung for Nelson Mandela. Shook hands with royalty. Gone over to Oprah’s house, stuff like that. I became great friends with Coretta Scott King before she passed. Coretta would tell me stories about Dr. King and show me manuscripts that he wrote.

But then you have to come back to your reality and the purpose of God’s calling. He didn’t call you to wallow in all of it but to serve Him.

Saturday, March 21, 2009

Gospel Legacy: Walter Hawkins (Light Records 2008)

Gospel Legacy: Walter Hawkins
Light Records 2008
www.lightrecords.com

Released in February 2008, this volume in Light Records’ ten-CD “Gospel Legacy” series is essentially a sampler of high points in the Hawkins Family’s first three celebrated Love Alive recordings. Thus, it includes the Hawkins’s moody, intoxicating “Changed” and their smash hit “Going Up Yonder,” one of the most influential gospel recordings of all time.

Incidentally, "Going Up Yonder" is, for all purposes, a two-parter: the first section contains the motif and the second features an extemporaneous and explosive solo by Tramaine Hawkins. By the end of the performance, Tramaine Davis Hawkins has transitioned from gospel singer to gospel superstar.

Other indelible Hawkins hits featured on Walter’s sampler are “What is This,” “Be Grateful,” and the rollicking “There’s A War Going On," led by Lynette Hawkins Stephens. “What is This” and “Try Jesus” are the two additions not from the Love Alive series but rather from the Hawkins Family’s top-selling eponymous 1980 recording.

Gospel music collectors who dismiss the work of Walter Hawkins and his California brethren, Andrae Crouch & the Disciples, in search of hard-core quartets miss out on some truly church-wrecking performances from the architects of the California School. Genre-bending and envelope-pushing in their day – as gospel musicians from the Church of God in Christ always have been – the Hawkins Family helped rewrite the rules on what constituted praise music in the African American church.

In truth, the Hawkins’ performances sound as fresh today as they did in the 1970s and 1980s. Whether they were years ahead of their time, or their influence still resonates in today’s gospel sound, is a chicken-and-egg question.

If you own the Hawkins’ Love Alive sessions and their 1980 The Hawkins Family, this set will be redundant, unless of course you have scratchy vinyl versions and want a cleaned up CD for car or iPod use. Nevertheless, this sampler is a fine tribute to Walter Hawkins, who despite a recent bout with pancreatic cancer, is now back, giving his all on the altar.

Two and a Half of Four Stars

Friday, March 20, 2009

Glenda Taylor
Lord I Wanna Thank You
Glenda Taylor Ministries 2008
www.myspace.com/glendastaylor

Born in Fort Worth, Texas and now living in Houston, Psalmist Glenda Taylor has one foot in traditional and the other in contemporary gospel. Her vocal resume reflects this: she has been a featured soloist for the National Convention of Gospel Choirs and Choruses and the National Baptist Convention, but has also worked with contemporary stars such as fellow Houstonian Yolanda Adams.

While Glenda is no stranger to recording – she has participated in several recordings by Houston’s JOY Baptist Tabernacle, where she is Minister of Music – Lord I Wanna Thank You is her first solo outing. Here, Glenda’s bluesy runs, throaty growls and jagged shouts are supported by superb background vocalists (the JOY choir?) and skilled gospel musicians.

Glenda’s sweet spot is the slow, bluesy gospel number, such as “Grace” and “Wonderful.” On the latter, Glenda's extended vamp showcases what must be her live performance energy. Yet and still, the mid-tempo title track is the most radio friendly of the eleven selections because each component – soloist, choir and musicians – combines to maximum effectiveness. An entire album of songs at the fever pitch of "Wonderful" and "Lord I Wanna Thank You" would really be something.

Glenda’s fealty to the NBC is demonstrated by the hymns included on the album, such as “Blessed Assurance” and “Is Your All On the Altar.”

Lord I Wanna Thank You is an unpretentious project that packs its share of traditional punch. Unfortunately, like too many gospel projects, the CD has had its share of challenges (it was originally slated for release on Marxan Records), but is now available through Glenda Taylor Ministries (see website above).

Two and a Half of Four Stars

The 25th Annual Chicago Gospel Music Festival - June 6 and 7, 2009


For Immediate Release: March 18, 2009

The 25th Annual Chicago Gospel Music Festival
June 6 & 7 In Millennium Park


The 25th Annual Chicago Gospel Music Festival returns to Millennium Park June 6 and 7for a celebration packed with gospel music stars.

This milestone event kicks off the 2009 lakefront music season with Grammy®, Stellar and Dove winners Kirk Franklin and Donnie McClurkin as two of the top artists headlining the Jay Pritzker Pavilion.

Celebrating 25 years of Gospel Music at its best, the festival offers national, international and local Gospel Performances beginning at 11:00 a.m. until 9:30 p.m. each day and admission is FREE. The full line-up will be announced soon.

“The Gospel Music Festival is one of many free festivals sponsored annually by the City of Chicago to showcase and celebrate Chicago’s diverse musical heritage”, said Megan McDonald, Executive Director of the Mayor’s Office of Special Events. “This year’s festival line-up will be an example of the many genres within gospel music drawing from classical to R&B to traditional gospel that will be presented by the many award winning performers.”

On Saturday, June 6 Donnie McClurkin brings his heartfelt lyrics from his recently released new album We All Are One (Live in Detroit) to the Jay Pritzker Pavillion Stage. Past award-winning hits such as “Speak to My Heart”, which garnered two Stellar awards and a Dove award nomination, have given McClurkin a strong following in the gospel music community. McClurkin has performed at the White House and on The Oprah Winfrey Show, spreading his gift to uplifting spirits through his music.

Sunday, June 7 five-time Grammy® winning and multi-plantinum gospel artist, Kirk Franklin, will close the festival on the Jay Priztker Pavillion Stage. Franklin’s latest release The Fight of My Life is one of his most dynamic and stylistically varied of his career. The first single, “Declaration (This is it)”, is a burst of affirmative energy and gospel soul sound. His jazz kissed pieces with hip-hop grooves are why Kirk Franklin is one of the most successful gospel music artists of his time.

The Chicago Gospel Music Festival attracts visitors from around the country seeking to appreciate the music in the city where traditional gospel music was born more than 75 years ago. With its deep roots in the city’s African-American community, the Festival celebrates the creative, historical, communal, and social significance of this musical art form, and its impact on American culture.

The Gospel Music Festival is one of many festivals sponsored annually by the City of Chicago to showcase and celebrate Chicago’s diverse musical heritage. (The City of Chicago does not endorse or promote any religious messages expressed by the performers.)

For a full day of inspirational sounds, gospel music enthusiasts are invited to enjoy uplifting entertainment on Saturday and Sunday at the Walgreens Day Stage and the Gospel Youth Stage. Performances feature local choirs, quartets and more with gospel music sounds sure to make this weekend one to remember.

Admission is FREE and performances begin on Saturday, June 6 and Sunday, June 7 at 11:00 a.m. until 9:30 p.m. Entertainment at the Pritzker Pavilion begins at 5:00 p.m. both days.

The Chicago Gospel Music festival is presented by the Mayor’s Office of Special Events with the help of many generous sponsors including: Walgreens, Pepsi-Cola, Hinckley Springs, Clairol, Chicago Tribune, chicagotribune.com, WGN-TV, CLTV, La Grou Distribution System, Inspiration 1390, Communications Direct, Chicago Transit Authority, Chicago Defender and WJYS-TV 62.

The Mayor's Office of Special Events encourages taking public transportation to all lakefront festivals. Call (312) 836-7000, TTY (312) 836-4949 for information on RTA, CTA, PACE and Metra.

For more information and updates on the Gospel Music Festival call the Mayor's Office of Special Events (312) 744-3315 or visit www.chicagogospelmusicfestival.us. For great hotel rates, call 1 (877) CHICAGO or visit www.explorechicago.com.

Thursday, March 19, 2009

Portia Maultsby, Mellonee Burnim Among Scholars at "Honor"

From Indiana University:

BLOOMINGTON, Ind. -- Indiana University Professor Portia Maultsby was closely involved with the development of "Honor! A Celebration of the African American Cultural Legacy," a groundbreaking, two-week festival at Carnegie Hall celebrating African American culture.

The festival, which began March 4 and runs through March 23, was conceptualized and curated by renowned soprano Jessye Norman.

Maultsby, an IU professor of ethnomusicology in the Department of Folklore and Ethnomuscology (College of Arts and Sciences), became involved with the project last June, working with Norman as a general consultant, artistic advisor and editorial assistant throughout the project's development. The festival celebrates current African American music and honors the pioneering artists who forged a path for subsequent generations.

"It's been an incredible experience working with Jessye Norman," said Maultsby. "I was inspired by her vision to create a festival that was all-encompassing of the musical legacy of African Americans, from Negro spirituals to jazz, from classical music and blues all the way to hip-hop."

Others involved in the festival from IU include Mellonee Burnim, a professor of ethnomusicology, who wrote the program notes for the upcoming performances of "Emancipation's Jubilations: Spirituals and Songs That Led A Nation" March 21 and "A Celebration of the Spiritual and Gospel Music" March 22; doctoral students in ethnomusicology Tyron Cooper and Fredara Hadley; and program alumna Linda Williams.

Cooper assisted in the archival research for the list of African Americans who performed at Carnegie Hall since 1892, Hadley wrote the text on "Holy Hip Hop" and Linda Williams co-authored with Maultsby the text on jazz for the interactive Web site on African American music.

Read more at "Honor."


Photo: Drs. Portia Maultsby (left) and Mellonee Burnim (right) - courtesy of Indiana University

Gospel Legends Bring Birthday Greetings to Geraldine Gay Hambric

Last Sunday afternoon, March 15, 2009, some of Chicago’s gospel legends pressed their way to Chicago’s Prayer Center Church of God in Christ, where Rev. Donald “Preacher” Gay is pastor, for a birthday celebration in honor of gospel piano virtuoso Geraldine Gay Hambric.

Geraldine, recovering from a serious bout with ill health, was part of the hit-making gospel group, the Gay Sisters, with Mildred and Evelyn Gay. Their 1951 smash hit “God Will Take Care of You” (Savoy) helped make the Gay Sisters as popular in their day as Mary Mary, Trin-i-tee 5:7 and the Clark Sisters are today. Other members of the Gay Family have each in their own way left an indelible impression on gospel music history.

The program was part birthday tribute and part celebration for Geraldine’s release from Alden Wentworth where she was recuperating.

Among the gospel artists who paid tribute to Geraldine in testimony and song Sunday afternoon included Lorenza Brown Porter (Argo Singers), Bertha Melson (Lux Singers, right), Betty Starks, Eugene Smith (Roberta Martin Singers, below right), gospel superstar Jessy Dixon, and several generations of the Gay Family, including Elder Gregory Gay, Donna Gay, Min. Donald Hambric on guitar and Rev. Donald “Preacher” Gay (below, left), who performed and recorded with his sisters for several Chicago-based labels. Nathaniel Marshall served as master of ceremonies, with Pastor Marilyn Domingo assisting. Other friends conveying birthday greetings included Aaron Cohen of Downbeat Magazine and Steven Dolins of The Sirens Records. Geraldine has recorded two CDs for The Sirens, the most recent, Soulful Sounds, with her brother Donald, whose “Sing On My Singer” concluded the program.

Despite her fragile health, Geraldine was in great spirits and played nimbly on a white grand piano during the second half of the program and shared fond stories about those in attendance, including her advice to Jessy Dixon early in his career to dress for success.

Many more birthdays to Geraldine Gay Hambric!


(top photo: Geraldine Gay Hambric with Jessy Dixon and MC Nathaniel Marshall.

Wednesday, March 18, 2009

Ken Cook, EMI Gospel Executive, Dies at 37

From ROCspace News:

Ken Cook, manager of national promotions for EMI Gospel and well-known gospel music executive, died Monday, March 16, 2009 at Vanderbilt Medical Center in Nashville, TN, after a long battle with colon cancer. He was 37 years old.

A staple in the gospel music industry for many years, Ken was not only one of the most loved and well-respected men in gospel, he had many friends and recording artists who leaned on his expertise and his love for gospel music. Most recently, Ken worked as Manager, National Promotions for EMI Gospel from April 2006 to August of 2008. Before joining EMI Gospel, Ken worked in the gospel radio promotions department for Malaco Records and Sony Music. In these roles, Ken's job and passion was to get the hottest gospel music in rotation on as many radio stations as he could reach.

While at Sony Music, Ken worked with artists like Mary Mary, Tye Tribbett, Anointed and Men of Standard. His love for gospel music was infectious and resulted in national airplay for such chart-topping songs like “Heaven” (Mary Mary) and “Victory” (Tye Tribbett).

During his tenure at EMI Gospel, Ken worked projects from Myron Butler, Kierra “KiKi” Sheard, to West Angeles COGIC Mass Choir & Jason Champion, to name a few.

In July 2008, Radio & Records Industry Achievement Awards in the Gospel category nominated Ken Cook as Label Promotion Executive Of The Year.

From Radio & Records:
Cook is survived by his wife, Dolli, and will be laid to rest on Friday, March 20 at 10 a.m. at New Life COGIC Church, 5000 Patterson Rd., Montgomery, AL 36116.

The family asks that, in lieu of flowers, donations be made to the Ken T. Cook Cancer Support Fund. Send contributions to 4429 Benchmark Drive, Antioch, TN 37013 in care of Dolli Cook.

Tuesday, March 17, 2009

Shirley Joiner, co-founder of the Southeast Inspirational Choir, Passes Away

Bill Carpenter and Gregory Gay informed TBGB that Shirley Joiner, beloved founder of the Southeast Inspirational Choir and member of the BCS Trio, passed away on Monday, March 16.

The Southeast Inspirational Choir launched many careers, most notably that of Yolanda Adams.

Gospellyfe.com has the story below.

http://www.gospellyfe.com/2009/03/from-labor-to-reward-shirley-joiner.html

Information on Mrs. Joiner's homegoing services will be forthcoming as it becomes available to the public.

TBGB expresses its sincerest sympathy to the late Ms. Joiner's family, friends, colleagues and the legions of musicians and singers who loved her and learned from her.

Monday, March 16, 2009

TBGB Pick of the Week: March 16, 2009

“With You Always”
Troy Sneed
From the Emtro Gospel CD In Due Season (street date: June 30, 2009)
www.emtro.com

Floridian praise and worshipper and record label owner Troy Sneed delivers Minister Omega Forbes’ composition “With You Always” with an unhurried expressiveness that fits musically with the song’s message of patience, hope and faith in times of trouble.

The lush piano-led arrangement, lullaby-like melody and Sneed’s tender, loving delivery are evocative of Andrae Crouch’s balladry on “Through It All” and “My Tribute,” only quieter.

Forbes has written for Sneed before, most importantly on Youth for Christ’s The Struggle is Over. Even in their choice of album titles (Forbes has Due Season and Sneed has In Due Season), the two songsters seem to be musical soulmates.

Sunday, March 15, 2009

Gospel Songwriter, Vocalist Margaret Aikens-Jenkins Passes Away

It is with heavy heart that TBGB reports the passing of Margaret Aikens-Jenkins. She transitioned from labor to reward on March 6, 2009 in Hawthorne, California.

Her daughter, Marie Wakefield, said that Ms. Jenkins' funeral service will be held on Tuesday, March 17th at 11:00 AM at the West Angeles Church of God in Christ at 3045 S. Crenshaw Blvd. Los Angeles, CA 90016.

The photo above was taken in 2007: Marie Wakefield (left) with Margaret Aikens- Jenkins (right).

Raised in Chicago, Jenkins was a gospel songwriter, music publisher, owner of the Mag-Oll and New record labels with Ollie Lafayette, and gospel singer (with the Meltones and Ladies of Song). Her sister Celeste Melton Scott worked for Mahalia Jackson; Jenkins penned Mahalia's "A Spring in Galilee," with arrangement by colleague and friend Kenneth Woods, Jr.

Early in its career, the Helen Robinson Youth Choir recorded on the Mag-Oll label and sang a number of Jenkins' songs, including "Thy Grace is Sufficient for Me" and "The Only Hope We Have."

The Meltones (named for the sisters' maiden name of Melton) were a popular singing group in Chicago during the early 1960s. The Ladies of Song were formed by Celeste and Margaret with friend Robbie Preston Williams, mother of famed organist Billy Preston.

Marie Wakefield notes that "there is a page on the Lorraine Jackson Foundation website where you can donate money in Mom's name for children of cancer victims. The Foundation’s primary mission is to provide scholarships for secondary education for children who have lost a parent to breast cancer. Click below to see the scholarship information."

The Lorraine Jackson Foundation site is:
http://www.pearlsofhope.com/Jenkins.htm

Friday, March 13, 2009

Praise and Worship...Unleashed! -- Doris Stokes & Praise Unlimited

Doris Stokes & Praise Unlimited
Praise and Worship…Unleashed!
Black Pearl Enterprises 2008
http://www.dorisastokes.com/

Dayton, Ohio has made a considerable mark on music history, and the Stokes Family seems to have played a role in many of the Gem City’s top groups.

The late Otha Stokes, Jr. was with the Ohio Players and the Sugarhill Gang ("A great saxophonist," recalled Khadijah Ali, daughter of the late Paul Arnold of the Gospelaires). Hakim sang with Heatwave. Frank, Ralph and Otis Stokes were in the RnB group Lakeside.

The youngest sister, Psalmist Doris Stokes, followed her brothers into the professional music scene by, among other things, singing with Hakim on the soundtrack of MGM’s All Dogs Go to Heaven. She was also a founding member of the choir “David Minor with One Voice,” which later regrouped as “New Vision.” New Vision sang on programs and workshops with some of gospel’s greatest talents, including Marvin Sapp, Dorinda Clark-Cole and Tramaine Hawkins.

Meanwhile, Doris has worked in prison ministry, fashion design, and is an actor, playwright, mother, praise and worship leader and now a Doctoral candidate. Clearly an under-achiever!

What Doris hadn’t done was her own live solo project, but now she can check that off her "to do" list because Praise and Worship…Unleashed! was released last October. The project showcases Doris’s powerful voice and ability to deliver praise and worship lyrics with the gusto of gospel.

The live album opens with “Demonstrate Your Power” and “Bless His Holy Name,” two high-energy, mid-tempo performances with confident backing by the musicians and the strong and supportive singers of Praise Unlimited.

“Calypso Praise (STRIKE!)” is the featured track, a spicy, uptempo Caribbean-flavored bouncer that features Elder Carnell Murrell (“You Are God”).

Despite the popularity of “Calypso Praise (STRIKE!),” Doris’s stock in trade is the extended, dramatic and intense praise and worship songs that start slow and build in intensity. Ideal examples on Praise and Worship…Unleashed! are “Lord, I Praise You,” “Majestic Greatness” and “Lift Those Hands.” “Lord, I Praise You” is a duet with Minister Keith Leak and the best track on the project.

“Jehovah Reigns!” closes out the project with Israel Houghton-style effervescence.

Those who find the praise and worship style of sacred music an acquired taste will enjoy this CD because it praises without sacrificing solid gospel technique and emotional power.

Three and a Half of Four Stars



UPDATE: Congratulations to Tom Matta of Erie, PA, who won a copy of Jai Reed's Anointed for Purpose, courtesy of Push-It Online Newszine and TBGB.

Tom answered the following question successfully:

Question: In what category was Jai Reed nominated for the 24th Annual Stellar Gospel Music Awards?

Answer: New Artist of the Year

Thursday, March 12, 2009

Rev. Stanley Keeble Birthday Celebration Brings Out Chicago Gospel Legends

Rev. Stanley Keeble turned 72 on March 8. He celebrated by bringing some of his gospel singing friends together for a musical on Monday, March 9 at Logos Baptist Assembly at 108th and Halsted in Chicago. Rev. Dr. Donald L. Parson was host pastor.

Sitting in the audience, one felt transported into the middle of a documentary about the history of Chicago gospel music. The roll call of singers included original Lux Singer Bertha Melson, a diminutive lady who belted out a verse of the Christian chestnut “One Day at a Time.” Although singing while seated, Bertha had no trouble at all being heard in the far reaches of Logos. Singing alongside the big voices of James Cleveland and Clay Evans back in the day must have posed no problem for her.

Other gospel legends who showered love upon Rev. Keeble in song at the program included Betty Lester (who sang Rev. Keeble’s “I Feel Good”), Willie Rogers of the Soul Stirrers and Rev. Issac Whittmon. Pastor Mitty Collier performed a gospelized version of her 1960s soul hit, “I Had a Talk With My Man Last Night” as “I Had a Talk With My God Last Night.”

Arthur Sutton and the Gift of Praise shut the church down with their dynamic singing and Arthur's powerful front-and-center bass playing. Janet Sutton continues to be a member of the group, although she’s busier than ever as the “nation’s top directress.” Her Acme Missionary Baptist Church Choir took home first place honors in the “How Sweet the Sound” church choir competition last year.

Rev. Keeble also delivered a few songs and acknowledged the several members of his original singing group, the Voices of Triumph, who were present for the birthday program. He hopes to put together a singing reunion of the group later this year.

Ministers, musicians, singers and friends, including Rev. Harris of the Inspirational Souls and iconic music director of Fellowship M.B. Church LouDella Evans Reid, comprised the audience. TBGB's Bob Marovich was present, as well. All proceeds from the musical will benefit the Chicago Gospel Music Heritage Museum, of which Rev. Keeble is founder.

Gospel Legacy Series: Sandra Crouch (Light 2008)

Gospel Legacy Series:
Sandra Crouch
Light Records 2008
www.lightrecords.com

Released in February 2008, this collection of twelve 1980s-era tracks by Sandra Crouch is the best in Light Records’ ten-CD “Gospel Legacy” series. It focuses on Sandra's bright, energetic and engaging tracks as a solo artist.

Five of the selections were culled from Sandra’s debut solo project, the Grammy award-winning We Sing Praises (1983). One stands out in particular, the hit “He’s Worthy.” It starts out as a majestic hymn but by the end gets fully in touch with its Pentecostal soul and concludes as a double-time celebration.

We’re Waiting (1985) is responsible for the collection’s remaining seven tracks, including “Completely Yes,” which riffs on the COGIC chant “Yes Lord.”

The collection showcases Sandra's artistic range, from her anthemic side on “(My God) How Excellent is Your Name” to her downright funkiness on "We're Waiting."

One constant throughout, however, is the backing of a full-bodied choir and Sandra’s churchy/contemporary touch. Sandra’s classic “Holy Spirit” is missing, but otherwise James Robinson did a fine job compiling the right tracks in the right order for the reissue.

Sandra and her twin brother Andrae formed the COGICs (later the Disciples), hitting it in 1962-3 with Andrae’s composition “The Blood Will Never Lose its Power,” recorded originally for producer Richard Simpson’s eponymous label. The song featured Gloria Jones on lead and Billy Preston on organ. The Disciples' California gospel sound, joined later by the Hawkins Family’s own modern groove, became de rigueur musical fashion for a generation of choirs, groups and soloists.

Three and a Half of Four Stars

Wednesday, March 11, 2009

"Back Home Musical" Celebrates Evanston Church's First Year

Congratulations to Pastor Karl and Angela Adair, and the New Beginnings North Shore Church community of Evanston, Illinois on their first year of ministry.

Many churches don’t make their first year, so the Adairs had plenty to celebrate. They did by organizing the “Back Home Musical,” a combination of traditional and contemporary gospel music.

Presented at The Levy Center in Evanston on Sunday afternoon, March 8, 2009, the Back Home Musical featured a number of artists, including Mariah Vance, a young lady with a big voice; the dramatic and explosive James Teagues, who sang “Yes, God is Real” until the flags fell off the notes; the praise and worship aggregation Rebirth; and the talented Travis Douglas and Determined (below).

Douglas and his group are working on their third CD and performed an extended version of their popular “I’m Grateful.”

Pastor Karl (top, left) took a turn with the microphone, singing old-style church standards and throwing some mean shapes in the aisle.

TBGB’s Bob Marovich was pleased to be invited to the musical, which continued a decades-old tradition of gospel music programs in this suburb just north of Chicago.

Sunday, March 08, 2009

TBGB Pick of the Week: March 9, 2009

“Wait on the Lord”
Donnie McClurkin feat. Karen Clark-Sheard
From the Verity Records CD We All Are One (Live in Detroit) – release date: March 31
www.donniemcclurkin.com

Time will tell, but “Wait on the Lord,” from Donnie McClurkin’s forthcoming live CD, We All Are One, has the goods to be his most popular hit since “We Fall Down.”

Like the other live hit, “Wait on the Lord” moves at ballad tempo and contains a message of hope in a time of trouble. This time, though, the singer stresses patience through the process…good advice during this economic crisis.

Truth be told, though, it’s the explosive Karen Clark-Sheard who in her duet with McClurkin takes the song home. The melody is perfectly suited for Karen’s pretty, flexible voice, and she gives it added beauty during the quiet parts. By the end, though, Karen’s fervent evangelistic shouting, akin to a vocal whirlwind, combines with McClurkin’s fever pitch to make certain there isn’t one congregant who doubts the message.

"Ain't Gon Get Mine" - Euclid Gray (Malaco 2008)

“Ain’t Gon Get Mine”
Euclid Gray
From the CD Unleashed (Malaco 2008)
www.malaco.com

Euclid Gray is a different kind of gospel artist for Malaco, a record company whose stock-in-trade is typically the southern-hewn, soulful quartets and traditional groups.

Gray, who was part of R. Kelly’s Public Announcement and played Rev. Henry Oliver in Tyler Perry’s stage and DVD hit Meet the Browns, brings an urban and eclectic sound to The Last Soul Company with songs such as “Ain’t Gon Get Mine.”

From Gray’s sophomore release Unleashed, “Ain’t Gon Get Mine” opens with angry, buzzing guitars and is propelled by a strong and compelling RnB beat. Gray declares all the things he has that the devil cannot take from him, including his marriage, family, money, joy, blessings, anointing and sanity. Gray’s dreams are off limits, too: “Ain’t gon stop this hit from playing on the radio this time/Ain’t gon take this spot I’m claiming, Billboard number one is mine!” Then he gets into an aural wrestling match with Satan and sends the horned-one stepping away.

Saturday, March 07, 2009

LaShell Griffin to Perform for The Gracie Awards Show June 3

New York, NY - National recording artist LaShell Griffin will perform at The American Women in Radio & Television 34th Annual "Gracie Awards Show."

The event celebrates the biggest names in radio/television from across the country and brings together the who's who within the industry.

The impressive list of nominees/guests include Dr. Phil, Barbara Walters, Miley Cyrus, Maya Angelou and many more.

The Red Carpet Gala is sponsored by "Dove Beauty" and will take place on June 3rd in New York, NY. National entertainment news media on hand to cover the event will include Access Hollywood, E!, Extra Entertainment Tonight and many more!

LaShell told TBGB, “What a tremendous honor. I feel blessed and highly favored. The Lord continues to smile on my ministry. This is a door opening that will lead to greater opportunities for me to represent God and his kingdom.”

For more information on "The Gracies" log onto www.thegracies.org.

"I'll Make It Someday" - Luther Barnes & the Sunset Jubilaires (AIR Gospel 2008)

“I’ll Make It Someday”
Luther Barnes & the Sunset Jubilaires
From the CD The Barnes Family Reunion II
AIR Gospel 2008
www.malaco.com

One of gospel quartet’s finest gentlemen, Luther Barnes leads his Sunset Jubilaires on a slow-paced and melancholy but optimistic testimony to living a life of grace. Doing so will ensure that the eternal resting place beyond the river, the “Promised Land,” is attainable. When he gets there, Barnes sings that he will “walk the streets of gold…put on my long white robe….and most of all, I’ll be satisfied if I could just see my Savior’s face.”

“I’ll Make It Someday” is from the second volume of music marking the Barnes Family Reunion, a musical heritage that received national attention with Rev. F.C. Barnes and Rev. Janice Brown‘s 1980s smash hit, “Rough Side of the Mountain.” The Barnes Family has for a quarter-century produced a treasure trove of straightforward, tuneful and memorable traditional gospel music.

Friday, March 06, 2009

CD Single: "I Don't Know" - T-Juan (No Compromise Records)

“I Don’t Know”
T-Juan
From the No Compromise Records CD The Arrival 2008
www.nocompromiserecords.com

Opening with faux snippets of radio reports about the shooting of sixteen year-olds in Jacksonville, Florida, religious rapper T-Juan’s “I Don’t Know” is a head shaker about the tragic consequences of street violence.

The young victims, a boy and girl, are good kids “attracted to the bad dudes;” the young man had a “heart you could see through.” The only thing they were guilty of, T-Juan infers, is wanting desperately to be loved and accepted. In the process, they make two different but equally poor lifestyle choices that take them to their graves way too soon. T-Juan regrets they never had the chance to know Jesus, who loved and accepted them unconditionally.

By the line, “now his mama walking slow with her head down,” the track struck me as a modern version of James Cleveland’s gospelized version of “In the Ghetto.”

“I Don’t Know” is technically not a single at the moment, but for those who appreciate or are open to Holy Hip Hop, this track by the 21 year-old Jacksonville native T-Juan is an effective listen and reminder that parents should never have to bury their children.

Wednesday, March 04, 2009

Raishein - Believe (Raishein Productions 2008)

Raishein
Believe
Raishein Productions 2008
www.raishein.com

Houston’s singer-songwriter Raishein sounds like she could be Damita Haddon’s younger sister. She has a soft, light and youthful voice that delivers simple praise and worship lyrics to a mostly RnB and pop electronic backdrop.

Raishein’s debut album, Believe, was released early last month, and it’s a decent debut. Her sweet spot is definitely upbeat club-style tracks, of which the album offers two: “I’ve Got Joy” and “Choose.” The bouncy single, “I’ve Got Joy” is the standout, perfectly suited to Raishein’s voice, spirit and boundless energy. At the same time, if “Choose” was three times longer, it might have been the project’s outstanding track. It’s a rouser, but at just over two minutes, it ends too abruptly, rolling up the floor underneath you just when you are in the groove. Raishein told TBGB that "listeners can expect the full song on the new album released in 2010 or 2011."

While the up-tempo songs will find fast fans among tweeners and twenty-somethings, “Help Me” demonstrates that Raishein has the capacity to sing to the traditional gospel crowd. On this song, she emotes well, accompanied by a jazz piano. And the slow, lilting melody of “Grace and Mercy” shows what Raishein can accomplish as a songwriter.

Jerrile Wilcox does a fine job handling the engineering controls and producing the tracks.

A debut album gives an artist a chance to find his or her voice. Believe does that for Raishein. She could carve out a nice gospel-club niche today, while sharpening her chops for tomorrow, when her fan base gets older and more traditional-minded.

Two and a Half of Four Stars

Monday, March 02, 2009

TBGB Pick of the Week: March 2, 2009

“Butterfly”
Candi Staton
From the CD I Will Sing My Praise to You
Emtro Gospel 2008
www.emtro.com

Candi Staton may be better known to the general public as a 1970s disco queen, but she is no stranger to gospel music.

Truth is, Candi cut her musical teeth as a member of the Jewell Gospel Trio, the group of “little girls” gospel enthusiasts remember from the 1950s. Candi herself likened the group to an early (and sanctified) version of the Jackson Five. Later, the songstress recorded a dozen gospel albums, and her latest project, I Will Sing My Praise to You, is the thirteenth.

The first single from the CD, “Jesus Jesus,” was a slow gospel packed with testimony, but the latest single, “Butterfly,” written by Shonna Stallworth of Grand Prairie, Texas, has the vibrancy of a Top 40 pop song. Its natural mid-tempo easiness and catchy chorus are propelled by exclamations of Pentecostal handclaps on the backbeat and superb female background vocals. Staton’s vocals are sassy and fresh.

Sunday, March 01, 2009

BBC Radio 2 Airs Sister Tharpe Documentary




On Tuesday, March 3 from 10:30 to 11:30 p.m., BBC Radio 2 will air "Shout Sister Shout," a documentary on Sister Rosetta Tharpe narrated by Ruby Turner and written by Ged Gray.

Bob Laughton reports that the documentary made the Radio Times (right).

Chicagoans Elder Mack Mason and TBGB's Bob Marovich were interviewed for the documentary.

Learn more and find out how to listen live here: Shout Sister Shout.

Reminder to Chicagoans: London is 6 hours ahead of Chicago, so the program will air live at 4:30 p.m. Central Time on Tuesday, March 3.