Wednesday, September 30, 2009

Carl Whittaker & Exhortation - Afterwhile

Carl Whittaker & Exhortation
Afterwhile
BOG Records 2009
www.bogrecords.biz

“I am Elder Abraham Isaac Jacob Swanson the Twelfth.”

Yes, it is THE Pastor Abraham Swanson XII who introduces Carl Whittaker and Exhortation during the opening moments of the group's Afterwhile, a full-length live recording from Pastor Swanson’s historic Bibleway COGIC in Cincinnati, Ohio.

Nearly fifty years ago, Bibleway was the setting for then “Little” Abraham Swanson’s own album on King Records, the no-holds-barred Let the Church Roll On. “Little Abraham’s Prayer,” culled from that November 1960 session, became a sensation, one that still generates requests on "oldies" gospel radio. Fast forward a couple of decades, and another Bibleway LP, What Do You Say About Jesus, featured Carl Whittaker soloing on “Jesus Will Work it Out.” He also contributed the album's liner notes.

Now Dr. Whittaker is leading his own project – “birthed in my spirit when I was a teenager” – and like its Bibleway predecessors, Afterwhile is traditional gospel through and through. In a time when a new gospel release will feature a variety of styles to satisfy a variety of musical tastes, Afterwhile is unabashedly old school. And God Bless QCA: the Cincinnati company that manufactured vinyl albums for quartets, choirs and churches back in the day is still around; they made this CD for BOG Records.

While Whittaker handles most of the lead vocals, he makes liberal use of guest soloists, including labelmate Pam Crumbley, who matches Whittaker tonsil for tonsil on the title track, a gospel blues shouter. “He Brought Me Through” is the choir Exhortation’s opportunity to wreck the church with a slow, smoldering piece, and later they redouble the tempo for “What Would I Do.” The strong, ever-present singing of Exhortation is alone worth the listen. Doris Akers’ “Lead Me, Guide Me” is given a new arrangement but retains its hymn-like feel.

“Tell It” concludes the project. This track is dedicated to the late Dr. Charles Fold, one of Cincinnati’s most beloved gospel artists. Toward the end, Whittaker lets loose on some top notes to punctuate his tribute performance.

The prominent use of synthesized keyboard and electronics on the album seems anachronistic to an old-fashioned music experience like Afterwhile, especially when an honest-to-God Hammond B3 can do the job. Nevertheless, Afterwhile is a soul-stirring CD plenty steeped in Cincinnati gospel music history.

Four of Five Stars

Tuesday, September 29, 2009

Congratulations to Monica Lisa Stevenson...

on winning "Song of the Year" at the Gospel Choice Awards in Atlanta last night!

Leah Smith - Beautifully Made EP

Leah Smith
Beautifully Made EP (Release Date: October 21, 2009)
www.myspace.com/leahsmithmusic1

Earlier this month, TBGB reviewed the title track of twenty year-old singer/songwriter Leah Smith’s forthcoming EP, Beautifully Made. We had a chance to hear the entire six-song project from the former Israel & New Breed vocalist, and find it every bit as eloquent and introspective as its namesake song.

Throughout Beautifully Made, you feel as if you are listening in on Smith’s secret thoughts and prayers as she voices them sweetly and delicately, like a tranquil India.Arie or Corinne Bailey Rae. The instrumentation is appropriately light and piano-based, given the content, although “Dream World” and “Monster” do pick up the tempo. Still, the slower songs are the loveliest, with pop-infused melodies that will resonate well with those who steer clear of gospel music because it sounds too much like church.

Smith’s tough-but-fragile songs wrestle with issues that plague teens and young adults in particular, but really everyone has confronted them at one time or another. Whether self-doubt (“Beautifully Made”), the vagaries of love and friendship (“Shields and Swords”), or just plain evil in the world (“Dream World”), the collection on Beautifully Made has as its connecting thread the belief that despite everything, faith and hope conquer all.

Leah Smith is an artist with tremendous talent and promise. Some of her lyric lines are so packed tight with words the mind boggles, but in its quietest moments, her music is dreamy and evocative.

The EP will be available nationally October 21 on iTunes, Amazon.com, Rhapsody and Digstation.

Four of Five Stars

Monday, September 28, 2009

TBGB Pick of the Week: September 28, 2009

“I Love the Lord”
Phillip Carter & SOV
From Songs from the Storm (2009)
www.sovministries.com

On “I Love the Lord,” Phillip Carter & his fifteen-member ensemble SOV from Maryland combine “Amazing Grace” with a couple of standard Doc Watts congregational songs. Instead of lining them out like wizened Baptist deacons, however, they deliver them with handclapping “choirtet” fervor and enthusiastic call-and-response. For their part, the musicians – especially the bassist and drummer – provide the classic quartet-style backbeat.

The single comes from the group’s fifth CD, Songs from the Storm, a compilation of praise and worship and traditional gospel. SOV stands for Sounds of Victory.

Sunday, September 27, 2009

"Free" - Restine Jackson

“Free”
Restine Jackson
From the Wondrous World Records album Live at Living Waters (2007)
www.restinejackson.com

On “Free,” multi-instrumentalist, composer and producer Elder Restine Jackson and his group sing and rap about the joy of having the shackles of sin removed, all to a happy, chugging beat that is urban with a dash of Caribbean.

Hook-laden and memorable, “Free” is a fine introduction to Jackson and his energetic group of background singers. The album and single are on Wondrous World Records, an indie label founded in 2000 by Jackson and his father, Bishop Restine Jackson III.

In addition to performing and recording, Elder Jackson serves as minister of music at Word of Grace Worship Center in Clinton, Maryland, where his father is pastor.

Saturday, September 26, 2009

2009 International Gospel Music Hall of Fame and Museum Inductees

From PRWeb:

Detroit, MI; September 25, 2009 -- Bishop T.D. Jakes, Bill (The Mailman) Martin, Willie Mae Ford Smith, Myrna Summers, Wyatt T. Walker, and BeBe Winans are this year's inductees to the International Gospel Music Hall of Fame and Museum® (IGMHFM).

The 2009 inductees, nominated from around the world and selected by the IGMHFM board, were announced by founder David Gough. This year marks the thirteenth anniversary of the International Gospel Music Hall of Fame and Museum Induction Celebration and Fund Raiser.

This year's induction and awards celebration will be held at the Max M. Fisher Music Center on Saturday, October 31. The program will be preceded by a Red Carpet Extravaganza with live entertainment and photo opportunities with gospel greats. Our Master of Ceremony is Gospel Harpist Jeff Majors from TV One.

"For over a decade, we have successfully achieved our goal -- the furtherance of gospel music worldwide," said Gough. "The awards event is our annual fund raising centerpiece, but our work to celebrate the contributions of influential individuals and groups, and to increase awareness of gospel music, takes place year-round."

Nominees to the International Gospel Music Hall of Fame and Museum® must have been involved in gospel music activities for at least 25 years. Individuals, groups, choirs, quartets, broadcast personalities and promoters are among past years' inductees. Among the previous inductees are Aretha Franklin, The Mighty Clouds of Joy, Dr. Bobby Jones, Della Reese, CeCe Winans, The Fairfield Four, Shirley Caesar, Sister Rosetta Tharpe, Luther Barnes & The Sunset Jubilaires and Dr. Myles Munroe. Brief bios of all inductees can be found at www.igmhf.org.

Ticket Information:
13th Annual Induction and Awards Celebration tickets are $75 in advance and $100 at the door. Call 313-592-0017 or visit www.igmhf.org to purchase tickets.

(For overnight hotel accommodations by mentioning (IGMHF) at the Detroit Marriott at the Renaissance Center, contact Marriott toll-free, 1-800-352-0831 or visit www.marriott.com.), at the Hilton Garden, 1-866-STAY-HGI and the Athenaeum Suites 1-800-772-2323

Media Opportunities:
Saturday, October 31
Max M. Fisher Music Center
6:00 p.m. - Red Carpet Extravaganza with live entertainment, photo and interview opportunities with gospel greats
7:00 p.m. - Formal induction and awards ceremony

About the International Gospel Music Hall of Fame and Museum®:
Founded in 1995 as a non-profit organization by DoRohn Entertainment's president and gospel artist David Gough, the International Gospel Music Hall of Fame and Museum® preserves and celebrates the work of the world's legendary and influential gospel music artists and entertainers. It is supported by individual donors and corporate contributors.

The museum, open for tours by appointment, is now housed in the studios of DoRohn Entertainment. Its collections include recordings, documents, photographs and memorabilia. Archivists and music experts are also available to assist students and researchers. In 2005, IGMHFM launched "Club 52" a fundraising campaign to build a permanent home for the International Gospel Music Hall of Fame and Museum.

International Gospel Music Hall of Fame and Museum®
18301 West McNichols Rd.
Detroit, Michigan 48219
Phone: 313-592-0017
Fax: 248.552.0154
www.igmhf.org

Contact Information
DAVID GOUGH
International Gospel Music Hall of Fame and Museum
313-592-0017

Friday, September 25, 2009

Pastor Christopher Chappell & Grace Community Christian Church - Blessing Me

Pastor Christopher Chappell & Grace Community Christian Church
Blessing Me
Sho’Nuff Gospel Records 2009
www.gracecommunity1.org

Grace Community Christian Church is touted as one of the fastest growing churches in Atlanta and having one of the top choirs in the region. Blessing Me is an opportunity for the rest of the country to check out the sounds emanating from the Anointed Voices of Grace and the angel of the house, Pastor Christopher Chappell.

Like many of today’s gospel ensemble albums, Blessing Me provides the listener with a passing parade of styles, from praise and worship to traditional and contemporary. Wanda Faye Shaw and Steven Hickerson direct the mainly female Anointed Voices of Grace, a solid, full-throated, capable and vocally muscular group. They bounce along with the funky bass groove and horn-driven title track and current single, and do the “Grace Shuffle” on the mid-tempo hand-clapper “Thank You Lord.”

The songs focus on praise, worship and encouragement, with the choir’s rendition of JJ Hairston’s “In Your Favor” promising that He will take care of all your problems, including finances and bad marriages.

During the traditional section, vocalist Latonya Jones leads the classic “Jesus, I’ll Never Forget” through an uptempo arrangement that has what Pastor Chappell calls “that Pentecostal Church of God in Christ, foot-stomping…old girl from Mississippi” feel. Another talented female songster, Willette Gatlin, soars on the slower “Jesus Never Fails.”

The album’s finest moment is when tough-singing lead Wanda Faye Shaw blueses up “I Believe,” declaring “God will do what He says He will do” with the declarative authority of a disciple. The CD concludes with a fine rap version of “I Believe,” courtesy of Rev. Thomas Beavers and witty support from the choir.

As Pastor Chappell announces towards the end, Blessing Me is a “praise celebration,” and that sums it up. There are no home runs on the CD, no aisle-dancing praise breaks, no spectacular turns or runs, no unforgettable songs, but there are certainly plenty of base hits which make for an enjoyable listening experience.

Incidentally, Pastor Chappell secured distribution with Professor James Roberson’s JDI imprint, and thus reaped the professional polish of JDI product. The Grammy nominated duo of Roberson and Michael Bereal produced, and it shows in the crisp attention to vocal detail throughout.

Three of Five Stars

Thursday, September 24, 2009

Hello, Golden Era Gospel Blog; Farewell, Sister Lucille Barbee

TBGB congratulates Joseph Middleton of Houston, Texas on the launch of his blog, The Golden Era Gospel Blog, which is dedicated to information on black gospel music from the 1945-65 time period.

Check it out at www.goldeneragospel.blogspot.com.

Meanwhile, his first piece of news was the sad report that gospel singer Lucille Barbee passed away earlier this week. Sister Lucille sang on the Tennessee, Republic and Nashboro labels, recording her own songs as well as singing with Rev. Morgan Babb and the Radio Four. Read more about Sister Lucille on Joseph's blog.

Wednesday, September 23, 2009

"Love You I" - Emmitt Nevels, Jr.

“Love You I”
Emmitt Nevels, Jr.
From the 7-Places album Love You I (2009)
www.7-Places.com

The title of Elder Emmitt Nevels’ song sounds like Yoda from Star Wars professing his devotion, but it actually works in the context and arrangement of the lyrics. “Love You I” is a simple melodic love song to the Savior. It’s fresh, modern, crisp and electric, a blend of Christian pop and contemporary gospel. Backed by swirling breathy background vocalists and an acoustic pulsing beat, Emmitt’s sugar-sweet falsetto sells the performance.

Youngstown, Ohio-based COGIC member Emmitt Nevels is a singer, songwriter and kin biologically (and musically) to the fabulous Nevels Sisters (“Beautiful”) for whom he also writes.

Hallelujah - Dr. Moses McNeil and Company

Dr. Moses McNeil and Company
Hallelujah
FIR Gospel Records 2004
Mjmcneil7772@yahoo.com

If I was blindfolded and asked to listen to Hallelujah by Dr. Moses McNeil and Company, I would swear I was hearing a late 1970s vinyl recording on TK’s Gospel Roots label. The mix of metallic electronica, ‘70s sweet soul melodies and even a dash of disco on Hallelujah makes the album righteously retro.

Hallelujah serves as both a gospel album and a showcase for McNeil's sacred song compositions. The rhythm on the title track chugs appropriately alongside the song’s locomotive metaphor as McNeil declares, conductor-like, for everyone to get on board for the Lord. “Go Tell It on the Mountain” uses the basic premise of the Christmas spiritual, but the rest of the lyrics and the melody are completely new.

The most effective track on Hallelujah, and the one that stays with you after the CD is over, is “In My Father’s House.” It is a penultimate retro-soul piece – think the Spinners or the Delfonics grooving to a hypnotic Philadelphia International groove – that will resonate with collectors of '70s soul gospel sounds. In fact, McNeil’s singing throughout the album has a decidedly TSOP vibe.

The least endearing cut is the eight-plus minute “One Moment in Time,” which in its cacophony of percussion and indecipherable stream of lyrics comes across as more rehearsal than final performance. Hallelujah would be a better project if it and the introductory track were replaced by more songs like “In My Father’s House.”

Two of Five Stars

Tuesday, September 22, 2009

Chicago's Shirley Bell - on the Stellar Award First Ballot!

Congratulations to all the artists and behind-the-scenes experts who made the 25th Stellar Awards First Ballot!

Special congratulations go out to Chicago gospel singer Shirley Bell from her record company, OverBoard Records.

A product of the hallowed music department of Fellowship MB Church, founded by Rev. Dr. Clay Evans, Shirley made it in Category 6 - "New Artist of the Year" for her debut solo project, God Can Do Anything.

Darrell Jay Jones, Owner and CEO of OverBoard Records, shared some high praise the singer has received:

"Shirley Bell is the seasoned, dynamic, anointed singer that you expect from Chicago. She can 'sang'!" - Bishop Sam Williams, Vice Chairman, Gospel Announcers Guild - Gospel Music Workshop of America

"Shirley has strong vocals that take you straight to church!" - Mike Chandler, President - Rejoice Musical Soul Food Network

Darrell encourages the gospel music public to visit www.thestellarawards.com and "vote number 1" for Shirley in Category 6!

Mr. Del - THRILLA

Mr. Del
THRILLA
Holy South 2009
www.myspace.com/mrdelholysouth

Mr. Del, former member of the hardcore rap group Three 6 Mafia, has released THRILLA, his third holy hip hop album and the first to be distributed through Universal Music Christian Group.

The no-nonsense, growling rhymes on THRILLA paint a none-too-pretty autobiographical picture, and the beats are appropriately minimalist and rough-edged, but the message is clear: begin your faith walk and reap what the Kingdom has in store for you.

Several notables assist Mr. Del on THRILLA, including Canton Jones and iroCC Williams, who join on “Rock It Out.” Mali Music cameos on the reggae-flavored “Spread the Gospel.” (Read more about Mr. Del in TBGB's interview with the artist).

The first half of the album is hardcore holy hip hop, with the message directed not at churchgoers but the unsaved of the mean streets who will relate to the sparse sound. The album gets more interesting, however, during the final eight tracks, starting with “Faith Walk” through the conclusion. In this section, notably in "My Life Rated 'R' (Real)," the rhymes become more soul-baring and the music and beats gain additional texture. Mr. Del shares the sordid details of his younger years, when he suffered the daily disgraces of poverty as well as emotional and physical abuse at the hands of his stepfather “because I was too small to box him.” “Reverse the Curse” is another cathartic moment for Mr. Del, as he describes circumstances that led him to dedicate his life to the Lord.

The most mesmerizing track on THRILLA is “Don’t Do It,” during which Mr. Del offers brotherly advice in a rueful but direct tone. The eerie musical backdrop gives the listener a sense that Mr. Del is giving this advice from the netherworld. Had all tracks on THRILLA been given the same sparkle as the final seven songs, the album would have been even more fascinating.

While the severe sound of THRILLA may not resonate with all gospel music enthusiasts, its true purpose is not to preach to the choir but to those who don’t listen to the choir in the first place.

Three of Five Stars

Monday, September 21, 2009

Live in Concert: Pastor Donald "Preacher" Gay


Pastor Donald "Preacher" Gay...outstanding vocalist, recording artist, brother of the
Gay Sisters ("God Will Take Care of You")
and member of the
Famous Gay Singers
In concert with The Gay Family Gospel Music Experience, featuring Donna and Gregory Gay
For more information, contact 773-363-5417.

TBGB Pick of the Week: September 21, 2009

“Vessel Unto You”
Elizabeth Curry
From the CD Creflo Dollar Presents: Heart of God CHANGE
Arrow Records 2009
www.arrow-records.com

Creflo Dollar’s Arrow Records delivers crisply produced, no-nonsense gospel releases that cover the waterfront, from the sophisticated hip hop of Canton Jones to the shimmering gospel vocals of DeLeon Richards-Sheffield and Elizabeth Curry.

Accompanied by piano and background vocalists, Elizabeth Curry lends her ice-melting voice to “Vessel Unto You,” a track from Dollar’s various artists compilation, released this past March. Curry mixes contemporary and traditional techniques in her solo, and is supported by a delicate piano and strong background vocalists. Together, they build toward the song's smart and lovely apex. Marvelous!

Saturday, September 19, 2009

James Grear: Not Wasting Another Day

This summer has witnessed a number of new releases, including Don’t Waste Another Day by the Twin Cities-based James Grear & Company. TBGB had a chance to chat with Dr. James Grear about the new project and his journey to this point.

Grear was born and raised in Gary, Indiana, attending Open Door Church of God on Fifth Avenue. He sang in the church choir and in his family’s own gospel group, but by the 1980s, he was working for the music department of Deliverance Temple COGIC. “As I got to my later teen years,” Grear reflected, “I began to realize that gospel music was more for me than just something I enjoyed doing in church. So I began to branch out and do things outside the church with some of Gary’s local artists.”

One of those artists was Sheila Austin. In the mid-80s, Austin invited Grear to join her on a live album. “She had me to put together a group for the recording, and we kept that group together after the recording,” Grear said. “James Grear and the True Holiness Singers. I made my first recording with that group when I was nineteen years old, right out of Lew Wallace High School.” Grear cites Thomas Whitfield, the Hawkins Family and Richard Smallwood as early influences.

James Grear and the True Holiness Singers were together about seven years. When Grear moved from Gary to the Minneapolis area in the late 1980s, his affiliation with the group ended.

The Twin Cities area is, as Grear puts it, “mostly known for Prince, so people look at us as a secular area. When I moved here in the late 1980s, there wasn’t much here per se as far as gospel was concerned. We had the late Sam Davis who was quite a name here and around the country. At one time, Excelsior was the only community choir in the area. They were the premiere community choir, but over time a number of other great choirs and groups emerged as people moved here from all over the country.”

One of the groups that moved to the Twin Cities was the Steele Family, a family group that went on to be part of the gospel musical, The Gospel at Colonnus. Like Grear, the Steeles came from Gary. “I grew up with them,” Grear reminisced. “Billy Steele was the organist in my first group. I was the first person he played for, and J.D., Jevetta, all of them grew up next door to my aunt and first cousin, so I’ve known them all my life. Billy was the one who kind of talked me into moving to the Twin Cities in the first place.”

Not long after moving to the Twin Cities, music found Grear, who “ended up with a group by chance. I came here to get a job and a local church asked me to put together a group of singers for a fundraiser program for their building fund.” That group became what is today’s James Grear & Company.

James Grear & Company is known for its willingness to minister outside as well as inside church walls. “Our music has always been embraced by people outside the church. We began to do functions such as a gospel brunch event, and performing at Minneapolis' Fine Line Music Café. By night Fine Line is definitely a club, but it embraces gospel on Sundays, and we have held CD releases there.”

Grear learned what it is like to be behind the gospel music scenes through his work with the Liquid 8 label. “I came to Liquid 8 as an artist, but as they were branching out and becoming more acquainted with the gospel music industry, they hired me as vice president to head up their gospel music division. My job was to manage their HOB catalog as well as to bring on other artists and work on the Smokey Robinson project they had at the time. It was quite an experience, the switch from gospel artist to record label exec. I learned so much about the other side of the industry and the record label’s viewpoint.”

Grear & Company’s latest project, Don’t Waste Another Day, was released in August 2009. The title track, Grear explains, “is an inspirational song. I hope that when people hear it, they will be motivated and encouraged to do whatever it is that they feel their quest in life is to do. It could be to sing, it could be to start a business, it could be to write a book. It could be as simple as losing weight or living healthier. We find reasons or excuses to put things off, so the message of the song is ‘don’t waste another day.’ Even if you just take baby steps, start today. If you have a vision, carry out that vision, and believe that the resources and provisions will come to carry out what you are supposed to do.”

Another notable track is the album’s current single, a cover of “Hold On (Change is Coming), recorded in 1997 by another Twin Cities ensemble, the Sounds of Blackness. “Twelve years ago, [Sounds of Blackness’s] ‘Hold On (Change is Coming)’ brought me through one of the hardest times of my life. I vowed that I would record that song someday in hopes that it would do for someone else what it did for me. I had no idea that that it would become a single. It’s doing just what I hoped it would do. People are really being touched by the song.”

“This is such a great time and position for gospel music,” Grear reflected. “It has a positive and inspirational message, and we need that in this day and time, when there’s so much other music out there that has influence over our younger generation. Now that the mainstream doors have been opened, I think we are perfectly positioned to get a positive message out to every generation.

“Gospel music is a message of hope, love, motivation and encouragement. It tells you that no matter how challenging your life is, there is always hope.”

Friday, September 18, 2009

"Purpose and Destiny" - Nicole "Faithful" Franklin

“Purpose and Destiny”
Nicole “Faithful” Franklin
From the Thank You Entertainment/Living Water Records album Taking It Back
(release date: September 29, 2009)
www.nicolefaithfulfranklin.com

The lovely and multi-talented Nicole “Faithful” Franklin is a singer, dancer and someone who knows her way around the backstages of music, television and film. She has worked with artists from Mary J. Blige to Nas to Boys II Men. She is now redirecting her talents to the Kingdom with the hip hop/praise and worship album Taking It Back.

“Purpose and Destiny,” the album’s current single, finds Franklin singing and preaching in front of a hard charging rhythm and praise track. “God’s got a plan for your life,” Nicole and her group of background vocalists sing. To provide the song’s provenance, Franklin quotes from Jeremiah 29:11: the Lord has “plans to prosper you and not to harm you, plans to give you hope and a future.”

The single’s focus on the attainment of blessings (e.g., abundance, prosperity, “a future”) is an oft-visited theme in today’s gospel music, especially given the hope it offers people in the midst of challenging social and economic times. What Franklin and others challenge their listeners to do is focus on a higher rung on the hierarchy of needs, higher than the progenitors of early gospel music sought, because for them, deliverance from sorrow, injustice and spiritual/emotional suffering and pain took precedence.

The radio version of “Purpose and Destiny” is energetic, but TBGB prefers the uber-rhythmic house version because of the intense power it bestows upon the performance.

On a side note: while much attention is spent on the evolution of the sound of gospel music from traditional to contemporary to urban, the (generational?) transition of gospel song lyrics from a “deliverance from” to a “deliverance for” rubric is itself worth in-depth analysis.

Thursday, September 17, 2009

Worthy - A'Donna B. Williams

A’Donna Bowen-Williams
Worthy
Williams Music 2008
www.adonnabwilliams.com

Worthy is an apt title for A’Donna B. Williams’ debut solo project, because it is a showcase worthy of her estimable talents. The live performance recorded for the CD took place on June 21, 2008 at Mt. Calvary Baptist Church in Birmingham, Alabama, A’Donna’s home state; she grew up in Wetumpka, northeast of Montgomery, with her family, including her equally formidable singing sister, Monica Lisa Stevenson.

On Worthy, A’Donna proves herself to be a mighty church singer who can deliver “When I See Jesus” flatfooted, churning the congregation into a praise break you could see coming for miles, then wreck what’s left of the church with a radio-ready shouter such as “God Can Fix It.”

Although sibling Monica Lisa is not present on the CD, brother Olando Bowen is, and he proves to be an equally talented singer with a melodic voice and studied gospel pacing. He duets with A’Donna on “I Feel Good” and delivers a brief solo on the gospel hymn “Your Grace and Mercy,” the last and best portion of the “Worship Medley.” One can only wonder what was in the Wetumpka water to produce a family full of powerhouses. Parents Pearlie Ellis and the late George “G.G” Bowen, who were quartet singers in their day, must have had some kind of pipes themselves.

Another track worth mentioning on Worthy is “He Delivered Me.” It is a new composition written in old school style by Rayshun Walker, the album’s producer, and sizzles with ragtime runs and superb, rhythmic singing by the background vocalists.

Brisk moving and jam-packed with soul-stirring gospel singing, Worthy demonstrates why there’s nothing old-fashioned about old-fashioned...it never goes out of style.

Five of Five Stars

Wednesday, September 16, 2009

Raja - The Art of Living: What Do I Think About It?

Raja
The Art of Living: What Do I Think About It?
Raja Records 2009
www.rajaiam.com

As a youngster growing up in Northeast Ohio, Raja (born Samuel Crumby) would escape the confines of his reality and head out to a nearby wooded area where he would have conversations with God to clear his head. This, and a myriad of other life experiences, led him to his true purpose, and that is to be a teacher and philosopher, using many vehicles, including public speaking and publishing, to get his message to the people.

Another vehicle Raja is using to spread his message is a two-CD set called The Art of Living: What Do I Think About It? Imagine Issac Hayes as a late night jazz disc jockey intoning philosophical directives for your life over a Ben Tankard soundtrack. You have a good idea of what The Art of Living sounds like.

Raja is not parsimonious with his project, as the CDs contain more than two hours of music and spoken word performances. Some of the tracks are poetic explanations of the essential points behind The Art of Living, delivered in Raja's warm and soothing but forthright voice. Others are original songs that illustrate Raja's main points. Some songs on The Art of Living are better than others; for my money the reggae-like “Anytime We Come Together” is the project’s magnum opus. A few songs pack a dizzying amount of lyrics into each stanza, turning them into recitative instead of arias.

Raja’s superb rhetorical skills deliver poetry, rap, philosophy, and song (by him and a group of polished vocalists called I AM U, including the late Malika Tabia and Raja's late spouse, Marcenia LeFleur), all of which articulate a new age spirituality that is distinctly Christian but not exclusively so. That is, people of other faiths will find his philosophical instruction just as relevant.

I don’t want to steal any of Raja’s thunder, but just to give you a sense of his point, at least as I interpret it:

We, the “Children of God,” must take charge of our own lives by shaking off the many earthly shackles that we have, in part, placed upon ourselves, and embrace The Light to find and embrace our true purpose. The Kingdom of God is within ourselves, so claiming our true purpose will put us in tune with the Kingdom and help us love ourselves which, in turn, will free us to love others. And isn’t love, after all, what we’re supposed to do? War and hate are antiquated and bestial; love of self and others is the true future of humankind.

That’s the Cliff Notes version. Be prepared to listen to the project more than once because there’s a lot to digest and I guarantee you won’t get all of it in the first listening. Better yet, CD 1 also contains two PDF files with the lyrics and background information on the project, so you can follow along.

Raja calls his work “Music for a New Earth” and has trademarked it as “New Paradigm Music.” Regardless of the name, The Art of Living strikes me as an ideal performance art presentation, complete with video images, creative lighting, live music and the narrative moving along in supertitles.

Three of Five Stars

Delores "Sugar" Poindexter Dies in Indianapolis; Homegoing Arrangements

TBGB expresses its condolences to the family, friends and other loved ones of Delores "Sugar" Poindexter of Indianapolis, Indiana, who left this earth to receive her reward on September 15, 2009 around 2:35 p.m.

"Sugar" Poindexter was a dedicated member of the Gospel Announcers Guild of the Gospel Music Workshop of America and sang with some of the legends, including Beatrice Brown of Indianapolis and Sallie Martin of Chicago. Brown and Martin were early gospel music evangelists who helped establish chapters for the National Convention of Gospel Choirs and Choruses around the country.

The news of Sugar's passing came from Al "The Bishop" Hobbs and the Gospel Announcers Guild headquarters in Indianapolis.

During her lifetime, Sugar toiled endlessly to ensure that gospel music became the dominant musical style of the African American church and influenced the direction of American popular music. Gospel music owes her a debt of gratitude.

Here's a link to a beautiful article from the Indianapolis Star: "The Voice of Early Sunday".

Al "The Bishop" Hobbs, chairman of the Gospel Announcers Guild, has forwarded Sugar's homegoing arrangements:

Delores “Sugar” Poindexter’s Homegoing Celebration

Friday, September 25, 2009
Viewing:
12:00 pm - 9:00 pm

Memorial Musical:
7:00 pm - 9:00 pm

Universal Ministries Worldwide
1927 East 32nd Street - Indianapolis, IN 46218
Apostle William M. Payne – Pastor
Bishop Anthony Boyd – Assistant Pastor

Saturday, September 26, 2009
Viewing:
9:00 am - 11:00 am

Celebration of Life:
11:00 am - 3:00 pm

Christ Missionary Baptist Church
1001 Eugene Street-Indianapolis, IN 46208
Dr. Melvin Bernard Girton Sr. - Pastor

Officiating
Bishop Albert L. Jamison Sr.
Pleasant Grove Tabernacle FGBF - Pastor
Brooklyn, NY
Gospel Music Workshop of America, Inc. - Chairman

Committal and Interment
Washington Park North Cemetery
2702 Kessler Blvd. West Drive
Indianapolis, IN 46228

Housing Arrangements
Clarion Inn Suites
7001 Corporate Dr
71st Street at Corporate Drive-One Block East of I-465
(15 minutes from Indianapolis International Airport )
Ask for Delores “Sugar” Poindexter Block - $69.00 plus tax
Breakfast Included

Flowers & Condolences
Williams and Bluitt Funeral Home – 3919 North Keystone Avenue
Other Tributes or Remembrances can be forwarded to
Carla Poindexter, 4159 Norrose Drive – Indianapolis, IN 46226

Tuesday, September 15, 2009

Keep Stepping - Perry Parker & the Gospel Jubilaires

Perry Parker & the Gospel Jubilaires
Keep Stepping
P&D Starlight Productions
(release date: November 14, 2009)

Once veteran quartet singer Perry “Big Country” Parker organized the Gospel Jubilaires in Fayetteville, NC in 2007, he didn’t waste any time getting his group prime visibility. In the past two years, the quartet has toured beyond its hometown, appeared on programs with major artists, and earned a “Quartet of the Year” award. The group is now ready to release its debut CD, Keep Stepping.

Keep Stepping is a quartet program in a jewel case. It captures the continuity and musical serendipity of the live quartet experience, which in this case was recorded January 3, 2009 for an enthusiastic audience at Mt. Pleasant Baptist Church in Clinton, NC. Tracks blend into one another with ease, and the listener has a chance to hear the Gospel Jubilaires stretch out on several numbers. Special guests on the program are the talented Mt. Pleasant Baptist Church Choir and gospel VIPs Paul Porter and Bishop Neal Roberson. Roberson lends a particularly fiery lead on “Home at Last.”

The Gospel Jubilaires possess that quintessentially southern quartet ability to sound soulful and energetic – complete with hard-singing leads – but laid-back and easy at the same time. Like Hank Aaron hitting home runs, the Gospel Jubilaires make performing gospel quartet look and sound effortless, but you know it isn’t. The musicians play no small role in this dynamic, offering a steady rhythm, with the electric guitarist letting loose on several killer leads during the program.

Among the album’s highlights are the church rouser “Glory Land” and the Mt. Pleasant Baptist Church Choir’s strong singing on “All You Need” and “Great Things.” Fans of George Dean and the Gospel Four and Lee Williams and the Spiritual QCs will enjoy Perry Parker & the Gospel Jubilaires.

Four of Five Stars

Lord Have Mercy: Keith Pringle is BACK!

Minister Keith Pringle may be well known as a gospel singer, but he is also one of the architects of the 1980s choir sound. His work with the Pentecostal Community Choir produced the songs "Call Him Up" and "When All God's Children Get Together", which remain staples in the gospel choir repertory.

For some time, the multi award-winning Pringle has been off the gospel radar, but he is doing a live CD recording at Fellowship Dallas Church in Dallas, Texas on Saturday, September 26 at 6:00 p.m.

Read more about the upcoming CD recording event in this article from EURweb: Keith Pringle.

TBGB is sure we're not the only ones pleased to hear the news. Welcome back, Keith Pringle!

Monday, September 14, 2009

TBGB Pick of the Week: September 14, 2009

“Hold On (Change is Coming)”
James Grear & Company
From the CD Don’t Waste Another Day
Habakkuk Music/Universal Music Christian Group
www.habakkukmusic.com

On its latest CD, Don’t Waste Another Day, James Grear & Company from the Twin Cities performs an excellent cover of the 1997 Sounds of Blackness hit, “Hold On (Change is Coming).

Twelve years ago, when Sounds of Blackness (also from the Twin Cities) made this record, there had yet to be a 9/11. There had yet to be wars in Iraq and Afghanistan, shoe bombs, Hurricane Katrina, and the economic tsunami that washed over the country, sucking in its ebb families' life savings, jobs, businesses, banks and careers.

Grear & Company’s interpretation of this anthem to hope thus takes on new meaning in the 21st Century, including the nature of the anticipated change, which could represent the leadership of President Barack Obama. Although the song doesn’t specifically reference the President, and is technically about keeping the faith and believing in the higher power, it’s hard to imagine that Obama wasn’t on the singers’ minds during the performance. It certainly was on mine.

Regardless, be sure to check out James Grear & Company’s accompanying video (below) about a man and his young son in complete exasperation and fervent prayer over foreclosure and financial angst…until the singers step in with a special gift.


Committed 4 Christ - Committed 4 Christ

Committed 4 Christ
Committed 4 Christ
Maurla Publishing, Inc., 2009
www.cdbaby.com (available in late September '09)

During the introduction of “Jesus, You’re the Best” on Committed 4 Christ’s self-titled debut CD/DVD combo, Pastor Randolph M. Thomas II tells the audience that saints don’t have to stop dancing just because they are saved: “you just change partners!”

This statement is an apt description of the Detroit gospel fusion group led by Rev. Thomas and Minister Kendrick Clements. Committed 4 Christ delivers a mix of R&B, jazz, rock and gospel with danceable episodes as well as ample helpings of dramatic praise and worship moments. The music features jagged rock-style guitar on one song and gentle acoustic picking on the next. There’s even what sounds like a harp or high-fretted guitar on “More Than a Conqueror.”

The singing is a combination of Pastor Thomas' hard-shouting churchy leads and a full-throated wall of sound choir, all of which serve to heighten the tension and decibel level. Committed 4 Christ is especially skilled at stretching performances to build and release tension – nine tracks cover 70 minutes – but the singers and musicians also know how to provide cooling-down periods for those caught in the rapture. Appropriately, the album’s current single, “Psalms 51” has been edited for radio play.

The album, recorded before an appreciative audience at Greater Bethlehem Baptist Church in Detroit, is crisply produced and cries out to be enjoyed at maximum volume. A DVD featuring documentary like behind-the-scenes interviews with the group and music videos is available, as well.

Committed 4 Christ is an innovative group from a city that has produced its share of innovators over the past several decades.

Four of Five Stars

Sunday, September 13, 2009

Rebecca Malope Feted for 25 Years in Gospel Music

Congratulations to Rebecca Malope! She will be honored September 18, 2009 by the Crown Gospel Music Awards for her 25 years as an artist and mentor in the gospel music community.

Recognized as South Africa's "Queen of Gospel Music," Malope received a Lifetime Achievement Award from the Crown Gospel Music Awards last year.

If you have never heard Rebecca sing, you owe it to yourself to listen. Although you may not understand the words, the music, energy, harmonies and joyous repetition are so palpable that it really doesn't matter.

Read more here in the Sunday World.

Saturday, September 12, 2009

BeBe and CeCe Winans - "Grace"

You've heard "Close to You." Now you can listen to a "leaked" (wink wink) copy of BeBe and CeCe Winans' "Grace."

It's from the duo's much anticipated album Still, their first release together in fifteen years. It will be available October 6, 2009 from Malaco/B & C Records.

"Dance - The CampShake" - Jules "Juda" and the JudaCamp

“Dance – The CampShake”
Jules “Juda” and the JudaCamp
(JudaMuzik 2009)
www.myspace.com/judacamp

“Now that I got these shackles off, I’m gonna dance.”

And dance they do. I dare you not to follow suit when listening to JudaCamp’s latest single, “Dance - The CampShake.”

From its quick-tempo, ragtime-like beat to the ad lib call-and-response to the pulse-raising vamp at the end, the song cries out for congregation participation. The simple melody and minimal lyrics are subservient to the energy that just spills over, courtesy of the young singers from New York City that comprise Jules "Juda" Bartholomew’s JudaCamp.

So knock off those metaphorical shackles and dance like only God is watching!

Friday, September 11, 2009

"G.O.D. Remix" - Canton Jones feat. Big Ran

“G.O.D. Remix”
Canton Jones, feat. Big Ran
From the forthcoming CAJO International album Kingdom Business 2
(scheduled release date: October 6, 2009)
www.cantonjones.net

Opening like a ‘90s era Seal single, the disembodied voice of Canton Jones floating in calm clouds of cool electronica, the “G.O.D. Remix” suddenly pumps into full rhythm as CJ elucidates the various names given to God, from “papa” to “Elohim" to simply “the man upstairs.” After sharing an especially chilling testimony involving an unborn baby with no heartbeat, CJ concludes that no matter what you call him (he calls him G.O.D.), he’s there when you need him, “no matter when or where.”

CJ's “I Call Him G.O.D.” was originally featured on tobyMac’s various artists Hip Hope 2009 CD (Gotee Records), released this past February. The single is being reprised for Canton Jones’ Kingdom Business 2, the long-anticipated follow up to his super-seller Kingdom Business. Although “G.O.D. Remix” is among his better tracks, and Jones is one of the most compelling artists out there, in my book his “Hater Day” is still tops.

Mr. Del - The THRILLA from Memphis

The Memphis-based multi-platinum hardcore rap group Three 6 Mafia is best known for being the first African American rap group to win an Oscar for Best Original Song (“It’s Hard Out Here for a Pimp” from the film Hustle and Flow). It is also the first rap group to get its own note on the Memphis Walk of Fame.

But something the group doesn’t have, at least anymore, is Mr. Del. The former member of Three 6 Mafia, born Delmar Lawrence, walked away from the group to begin a Christian rap solo career.

Unlike many gospel artists, Mr. Del wasn’t part of a church choir growing up in Memphis and doesn’t even remember being particularly churchgoing. “I wouldn’t say I was a member of a church; I was dragged to church!”

After a Three 6 tour, however, Mr. Del had a personal encounter with God. “God was speaking to me and saying He wanted me to do the same thing I was doing then, but do it for Him. And I just decided to give my life to Him.”

While it wasn’t a difficult decision for Mr. Del to make at the time, “it was difficult maintaining it. Due to the lifestyle that I was leading prior to giving my life to God, there were a lot of people who were not exactly for the switch, for the change. I had to move from Memphis because of death threats. It was very hard on me and it was a trying time but through it all, God was keeping me faithful.”

The first step to launching his new solo career was to find someone to produce his first Christian album. “Once I did that, I started doing some shows, kind of got the word out about how I did leave Three 6, how I was pursuing this new walk of faith.”

Not surprisingly, the gospel music community looked quizzically upon the move. “It was not so much because of who I was,” Mr. Del recalled, “but because of the type of music I had been doing.”

Nevertheless, The Future, which EMI Gospel released in 2005, debuted at #15 on the gospel charts. The project was decidedly different from its cohorts on the charts. “Gospel music is for church, it is for the praise and worship setting, it is for the culture of a Sunday morning setting,” Mr. Del explained. “Hip hop, on the other hand, speaks about life and real issues, what you do outside of the church. That’s why I’m different. Gospel music is geared toward the worship experience of church, where hip hop or urban gospel is geared to what happens Monday through Saturday. My ministry is more evangelistic, based on the scene from which I come, and that is the streets.”

Mr. Del’s ministry stretches beyond the recording studio and performance platform. Every Sunday and Tuesday he is pastor of a church called the City of Refuge, formed out of a Bible study on the campus of the University of Memphis. “The City of Refuge is the ministry that God has given me to start here in my city. It speaks to the un-churched who are not as quick to subscribe to religion or to the regular church atmosphere, and helps them in their faith walk.”

Mr. Del acknowledges that young people who attend the City of Refuge know about his past fame as a member of Three 6 Mafia. In fact, his celebrity serves as a tool to encourage youth to pay attention to the message he brings.

This past June, Mr. Del followed up The Future and 2007’s Hope Dealer (Holy South) with THRILLA. It is the first of his projects to be distributed through Universal Music Christian Group.

One of the messages Mr. Del hopes to communicate through THRILLA, which stands for THe ReaL Anointing, is to let people know that “it doesn’t just stop at salvation, it begins at salvation. Religion tells us what we can’t do and what we can’t have. Relationship and Kingdom tells you everything you can have. I want people to know what they are entitled to and what they can have by being in God.”

Last year, Mr. Del also produced an album by a “supergroup” called Gumbo Red. “Gumbo Red was a brainchild of mine for a long time. The group consists of Canton Jones, Lisa McClendon, Ramona Jones and an honorary fifth member, Mali Music. The project was basically to combine all of our styles, all genres of music, in hopes to make an impact on the body as well as the unbeliever. We give real life stories, real life issues that will touch the core of the modern-day believer and non-believer.”

“I had enough faith in God to give up something that I thought was near and dear to me and I thought was worth something, and just basically trusted God no matter what in all circumstances,” Mr. Del says of his legacy. "I stood for God when it wasn't popular, when it wasn't cool."

“I don’t know if all hearts are really turned yet, but when it happens, I believe that it will be because of the words that come out of my mouth, the anointing that people see and that souls are being saved from this vehicle which I've chosen.”

For more information, visit www.myspace.com/mrdelholysouth

Thursday, September 10, 2009

Christian Comedy Break...with Miss Clareese

This Christian comedy break, featuring Miss Clareese, is courtesy of "Gospel Talk" with Mona Austin, a show that airs in Fairfax, Virginia.

Wednesday, September 09, 2009

Mr. J. Medeiros - Friends Enemies Apples Apples

Mr. J. Medeiros
Friends Enemies Apples Apples
(available September 20, 2009)
www.MrJMedeiros.com

Born of Portugese and Scottish descent, Mr. J. Medeiros (pronounced Mah-DEAR-es) became enamored with the hip hop world at an early age. In 1997, he turned his passion for hip hop into a vocation by organizing The Procussions. For a decade, the Procussions toured the globe and released several albums, most notably 5 Sparrows for 2 Cents (Rawkus Records).

By 2007, Medeiros was ready for a solo career. He combined his commitment to social justice with hip hop to create the album Of Gods and Girls. Of Gods and Girls laid bare dark and disturbing realities such as human trafficking, sexual abuse and Internet porn. Since then, Medeiros has earned accolades for being a sensitive realist in a genre that typically celebrates unfettered machismo. His sophomore solo project, Friends Enemies Apples Apples reinforces this assertion in its love for all, no exceptions mantra.

Featuring vocal performances on five tracks by the lovely rock angel Tara Ellis, who collaborated with the Procussions, Friends Enemies Apples Apples raises a fist against such urgent issues as gun violence (“My Own,” “Target Market”), the cycle of child abuse (“W.A.N.T.S”), and false prophets (“Smile”). On the latter, Medeiros chides religious charlatans: “The devil reads the Bible and knows it better than you.”

The album’s stand out track is “Holding On,” an ode to encouragement on which Tara Ellis delivers her finest performance. The video captivates in its use of boxes of stenciled words, a la Bob Dylan.

Medeiros’s rhymes are metaphorical and the poetry is more enigmatic than other holy hip hop artists. All but a few of the beats lack that crackle of electric intensity that makes for the most remarkable performances. But what is lost is more than made up for in swatches of uncomplicated, memorable melodies.

In essence what Mr. J. Medeiros sets before us in Friends Enemies Apples Apples is a call to action. He mentions the danger of apathy several times, as he raps, “It takes more than words to make things right.” Walk the talk. No arguing with that.

Four of Five Stars

Tuesday, September 08, 2009

The Return of Robert Dixon and the Original Salem Travelers

Robert Dixon and the Original Salem Travelers
The Return of Robert Dixon and the Original Salem Travelers
True 2 U Corporation 2004
www.cdbaby.com/cd/robertdixon

In the 1960s and 1970s, the Salem Travelers of Chicago were known for soulful harmonies, glass-shattering lead singing and a repertory of songs that provided social commentary on the troubles of the world. The quartet tackled topics such as the war in Vietnam, drugs, violence, prejudice, civil rights and child delinquency. “The Children Goin’ Astray,” one of the first songs in which the Salem Travelers addressed a modern socioeconomic issue, became a big hit. It set the group on a path to become the gospel community’s version of the Greek chorus.

Most of the original members – Chester Feemster, Arthur Davis, Jessie McDaniels and Sam Hanchett – have gone to their eternal reward, but Robert Dixon, who joined the group during its Checker Records era, has reconstituted the quartet with Rev. Harris and ordained members of the Skinner Family: Revs. Robert, Jr.; Larry, Sr. and Floyd.

The production on The Return of Robert Dixon and the Original Salem Travelers is crystal clear, and a studio echo gives the lead vocals more depth. Harmonies are crisp. The musicians, featuring legendary quartet accompanist Criss Johnson on guitar, get as close to the grooviness of the 70s as possible without alienating modern quartet fans. On “Tapping into God’s Holy Spirit,” Rev. Robert Skinner performs in old-school falsetto. “There’s Not a Friend” finds Dixon preaching in song about the story of the blind man meeting Jesus. Songs such as “If It Was Not for You” and “Just for His Love Remix” are particularly tuneful and bouncy.

Lyrically, the Salem Travelers do not cover any social issues on this CD but instead traverse the well-trodden quartet themes of thanksgiving, soul satisfaction in salvation, and the importance of being a good Christian.

From the opening to the closing notes of The Return of Robert Dixon and the Original Salem Travelers, the group sounds fresh, vibrant and reinvigorated.

Four of Five Stars

Monday, September 07, 2009

TBGB Pick of the Week: September 7, 2009

“So Glad He Saved Me”
Monica Lisa Stevenson
From the Puretonez Productions CD Finally…In God’s Time 2009
www.myspace.com/monicalisastevenson

Hard-singing, altar-pacing, hand-waving, church-wrecking Monica Lisa Stevenson is right at home on “So Glad He Saved Me,” a traditional-style roof raiser. Great God almighty, this young singer with an old soul has the traditional sound down to a T!

“So Glad He Saved Me” has been nominated for “Song of the Year” and Monica Lisa for “Female Artist of the Year” by the 2009 Atlanta Gospel Choice Awards. The awards show takes place on September 28 and Lisa is scheduled to perform on the show.

And as traditional as it gets: Dorothy Norwood asked Lisa to sing with the Caravans at the “Storyteller’s” birthday celebration (see the YouTube video below). Three months later, Lisa was in Chicago because Albertina Walker asked her to sing at her 80th birthday bash. Watching Monica Lisa with the ‘vans, it’s clear that had this singer from Wetumpka, Alabama been born fifty years earlier, she would have been a contender for card-carrying Caravan-ship.

Sunday, September 06, 2009

"Drug Free Me" - Trodigy

“Drug Free Me”
Trodigy
www.myspace.com/trodigy

Trodigy is a five member Christian band from Las Vegas whose name means “Trinity led prodigies.” Armed with electric violin, guitar, bass, drums and keyboard, the group tosses everything but the kitchen sink into their stylistic mix. The lyrics address real-life issues with no sugar coating or commercial hooks.

On the group’s single, “Drug Free Me,” the message is as simple as the music is complex. Eschewing traditional song structure, Trodigy creates a multi-faceted and ever-changing rhapsody as the format to get its point across.

The opening and attention-getting stanzas, about choosing between a life of wrongdoing or a life of salvation, are recited starkly by group member Nika. Electronic dance music then swirls and cools into an ambient background behind hip hop lyrics and rap interludes. The piece concludes with a haunting ballad sung by female vocalists Jerrquisha and Chrystal. The overall impression is of several distinct but connected musical vignettes linked by a singular message of seeking spiritual life vs. spiritual death.

To be appreciated fully, Trodigy is, I suspect, a group to be seen as well as heard.

"God Has Smiled on Me" - Joe Russell

“God Has Smiled on Me”
Joe Russell
Chance Records 2009
www.joerussellmusic.com

Joe Russell, former member of the Miami vocal group the Debonairs, was surrounded by all types of music growing up, but decided to embrace gospel music later in life. On the classic “God Has Smiled on Me,” Russell toys with the rhythm as he delivers the vocals in a James Cleveland-esque conversational style, while female background vocalists croon behind him.

Russell’s warm and friendly delivery is also reminiscent of Lou Rawls, right down to a tossed-off gospel chuckle during “God Has Smiled on Me.” It’s a vocal comparison the singer says he heard frequently during his pop music days. The similarity is supremely evident on songs from his full-length debut CD, I Give Him All the Praise, especially “He Will Be Right There” and the title track.

Saturday, September 05, 2009

"Beautifully Made" - Leah Smith

“Beautifully Made”
Leah Smith
From the Beautifully Made EP (available September 8, 2009)
www.myspace.com/leahsmithmusic1

At twenty years old, Leah Smith of North Philadelphia already has eleven years of professional vocal experience. She worked with the Temple University Program for Gifted Young Musicians as a nine year old. She spent a year and a half as a vocalist in Israel Houghton’s New Breed, and is now actively pursuing a solo career.

The self-proclaimed fusion artist blends neo-soul, folk, acoustic, gospel, soul and jazz elements into her reflective songs of inspiration. On “Beautifully Made,” the title track of her debut solo EP, Leah reminds young women who struggle with self-image issues that, to paraphrase the classic t-shirt saying, “God made you…God doesn’t make junk.”

Truth is, “Beautifully Made” is beautifully made. It is a soft, uplifting piece designed to build confidence in young women (and men) who think they are not good enough, strong enough, attractive enough or fill-in-the-blank enough. She wrote it while in high school and performed it as a member of New Breed.

Leah says of her music, which in its simple complexity bears no slight resemblance to the work of India.Arie and Alicia Keys, “I want a life-giving message of truth to be presented to people…real, living hope is accessible to all.”

Friday, September 04, 2009

Love Unstoppable - Fred Hammond

Fred Hammond
Love Unstoppable
Verity Gospel Music Group 2009 (release date: September 29, 2009)
www.verityrecords.com

Fred Hammond’s Love Unstoppable could just as easily be titled Fred Unstoppable.

The Grammy-winning “Architect of Urban Praise and Worship” and the leading light behind gospel supergroup Commissioned is in fantastic form on his thirteenth solo CD.

Love Unstoppable is one big praise party, each track bleeding into another. The first three songs are non-stop mid-tempo pulse raisers, as the background vocalists, led by Hammond’s frictionless tenor, sing with unchecked, joyous verve. “Find No Fault” even adds an island beat to the mix.

One of the most interesting tracks musically on Love Unstoppable is “Thoughts of Love,” a sacred ballad that evokes the Brazilian jazz of Sergio Mendes, circa 1965-6. Hammond includes several more love ballads to the Savior on the album, including the tuneful “Lost in You Again” and “Best Thing That Ever Happened.”

Another composition worthy of note is “Take My Hand.” This emotionally rendered traditional-flavored song about moving from heartbreak and pain to breakthrough interpolates the celebrated opening stanza of Dorsey’s “Take My Hand, Precious Lord.” The immediate follow-up, “I Know What He’s Done,” is another song oozing with gutsy gospel blues.

“They That Wait,” with vocal assistance by John P. Kee, is the current hit (reviewed by TBGB) and a contender for one of the best gospel singles of the year. It’s hard not to smile, move, clap hands or just plain feel good upon hearing this lyric-packed rouser. Plus, Hammond and Kee’s husky voices in meaty harmony channel the O’Neal Twins.

The concluding track, “Happy,” is quintessential Fred Hammond. It bounces along with the polyrhythmic enthusiasm of 1980s Commissioned. Once spinning in your player, Love Unstoppable is one CD you will not want to stop.

Five of Five Stars

Thursday, September 03, 2009

The Beginner's Guide to the Gospel Music Industry - Monica A. Coates

The Beginner’s Guide to the Gospel Music Industry
Monica A. Coates
Paul Marchell Publishing 2009
203 pages; $16.95
www.monicacoates.com

In the opening pages of his All You Need to Know About the Music Business, Donald S. Passman writes that if you can hire a good entertainment lawyer to help you with your music career, you don’t need to use his book for anything more than shelf candy.

Of course, Passman is only being his sardonic self, because there is a great deal to learn about the music business that even a good lawyer cannot teach. And after reading Monica A. Coates’ The Beginner’s Guide to the Gospel Music Industry, I know Coates would agree. It’s a complicated industry for artists and biz hopefuls alike. You must learn everything you can about it to succeed without losing hope, faith, money and soul. Information truly is power.

Coates’ book breaks the complicated and ever-evolving gospel music business into digestible chunks of practical advice. Illustrating important points with anecdotes from her own journey, Coates delivers a veritable workshop on subjects ranging from songwriting, radio and television, recording and performing to marketing, managing, retailing and label ownership. She provides her expertise with the gentle but firm hand of a friend who has been there and done it, because she has been there and done it. Coates has earned her stripes in artist management, publicity, radio promotions and has worked with the top gospel labels and artists.

Like a good friend, Coates doesn’t shy away from the harsh realities of life in gospel music as a business. There are many manholes just yearning to swallow up the uninitiated. On every page, Coates is there to pull you back from the abyss by your shirt collar.

While the book’s subtitle is A Handbook for Aspiring Artists and Industry Executives, veterans should not let the "Beginner's" or "Aspiring" portions of the title turn them away. The book is a fascinating read for seasoned gospel music artists and executives, especially when it comes to navigating the electronic age of music and information. Internet marketing and music distribution are virgin territories for most, and Coates has plenty to share about mastering the technology era. Plus, veterans will chuckle with their own (now) fond remembrances of having fallen prey to the perils Coates identifies, and will nod their heads in agreement with her straightforward advice.

The book is well annotated, up-to-date, and written in a conversational style, as if Coates is across the dinner table, coaching you individually. My recommendation: get this book and do what Monica Coates tells you to do. Nobody can guarantee you’ll be successful – you still have to have the talent and gumption – but you will be better prepared for the unexpected, with or without an entertainment attorney by your side.

Wednesday, September 02, 2009

“God Can Fix It,” “Jesus Will Never Fail,” and “Worthy” - A'Donna B. Williams

“God Can Fix It,” “Jesus Will Never Fail,” and “Worthy”
A’Donna B. Williams
From the CD Worthy (Williams Music 2008)
www.adonnabwilliams.com

It’s a long way from singing in the Baptist church in Wetumpka, Alabama, a town of about 6,000, to opening for nationally-recognized artists such as Dorinda Clark-Cole, Paul Porter and Kurt Carr, but A’Donna B. Williams has made the journey.

A’Donna has also appeared at the I Hear Music in the Air Annual Conference, hosted by Bobby Jones and Tracey Artis, and has garnered accolades from industry influentials such as Tracy Morgan, who recently interviewed the singer on her popular Tracy Morgan Radio Show (www.spiritco1.com).

Each of the three singles from A'Donna's debut CD Worthy feature head-shakingly stunning singing and gospel shouting. “Worthy,” the slow-cooking title track of her debut album, clearly sends the audience into fits by its emotional conclusion. “Jesus Will Never Fail” also builds to a strong climax, thanks in large part to the support of fine background vocalists.

Pay special attention, however, to the old school rouser “God Can Fix It.” Here A’Donna takes you back to Wetumpka, “where one of the sisters would get on the tambourine, and…” You get the picture!

Tuesday, September 01, 2009

Gospel Legend Marie Knight Dead at 84

Marie Knight, who rose to fame in the 1940s as gospel singing partner with Sister Rosetta Tharpe, died in New York City Sunday, August 30, after complications due to pneumonia. In their heyday, Knight and Tharpe were among the genre's top singing stars.

Marie's passing was reported by Mark Carpentieri of M.C. Records.

In 2007, M.C. released Let Us Get Together, Marie's first full-length album in 25 years and a musical tribute to gospel singer/guitarist Rev. Gary Davis. Prior to this, Marie was featured on M.C. Records' Shout, Sister Shout: A Tribute to Sister Rosetta Tharpe. It was through Tharpe biographer Gayle Wald that Carpentieri learned to his delight that Marie was still alive and willing to participate in the Tharpe tribute recording.

Gospel Friend Records has released a compilation of her Golden Era classics on Hallelujah, What a Song! (shown above).

You can read Marie's biography on the M.C. Records website: Marie Knight.

TBGB is saddened to hear of Marie's passing, but also comforted to know that she is now enjoying the eternal fruits of her lifelong labor in the gospel vineyard.

"I Do It For You" - K-Praize feat. Cam

“I Do It For You”
K-Praize feat. Cam
From the album Kingdom Certified (K-Praize 2009)
www.cdbaby.com

In 1993, Kirk Franklin explained why he sings. In 2009, K-Praize (who was not yet born in 1993) explains why he raps. Time marches on.

On “I Do It For You,” the single from his self-produced debut album, Kingdom Certified, 13 year-old Christian rapper K-Praize (aka Kevieion Johnson) of Oklahoma City receives a strong assist from Oklahoma homeboy Cam (“The Platform”). Cam sings and provides Auto-Tune vocal effects as K-Praize raps in a teenage tenor. The two work well together.

Backed by an easy-going beat suitable for reminiscing, K-Praize and Cam trade off on a litany of inspirations behind their music ministry. Why do they do it? Well, family and friends, children, the ‘hood, the city, freedom, Granny’s love, Jesus and the kingdom, so when they say “you,” they really mean everybody.