Thursday, June 30, 2011

"Free" - Voices of Praise

“Free”
Voices of Praise
From the EP Voices of Praise
www.cdbaby.com/cd/vopraise2

“Free” is a simple, delicate, very lovely worship song by the Voices of Praise.

The crystal-clear tenor lead pleads to “be free from all my guilt and shame…make me free, make me more like you,” all the while supported by well-balanced musicianship. The song’s pop ballad construction, inspired chord changes and the ensemble’s high, tight harmonies are attention-grabbing and evocative of Forever Jones.

Organized by Delmark Joseph in October 2000 out of Brooklyn’s First Wesleyan Church, the Voices of Praise have sung backup for Alvin Slaughter. “Free” is one of the few songs they have available commercially, but if it is any indication of what they can do, let’s hope there are more to come.

T.D. Jakes Presents Sacred Love Songs 2: Music Inspired by the Film Jumping the Broom

T.D. Jakes Presents
Sacred Love Songs 2:
Music Inspired by the Film Jumping the Broom
Dexterity Sounds (2011)

By Bob Marovich for The Black Gospel Blog.

The most popular entry on The Black Gospel Blog lists gospel songs for weddings: TBGB’s recommendations and those offered by readers.

T.D. Jakes Presents Sacred Love Songs 2 is an entire CD of wedding-ready songs.

A follow up to Jakes’ original Sacred Love Songs, inspired by his book, The Lady, Her Lover and Her Lord, this second set of selections is inspired by the Tri-Star/Columbia Pictures film Jumping the Broom.

The collaboration between gospel and pop artists from the Universal/Fontana roster has a “quiet storm” vibe, ideal for accompanying the important walk up the aisle. Fans of soul dusties in particular will lap it up.

Everyone brings his or her A-game to the project. Especially notable selections are Ledisi’s spot-on cover of Al Green’s “Let’s Stay Together.” When Fred Hammond gets in touch with his silky smooth side on “My Lady and Myself,” he is giving everyone an early taste of what his planned jazzy love album might sound like. Bishop Paul Morton channels the husky baritone of Luther Vandross and the soul shouts of Teddy Pendergrass on “Finally,” recorded earlier by former NBA player Terry Cummings.

Like watching a game pitting teams from two opposing leagues, it is musically fascinating to hear sacred and secular music and artists working in tandem. For example, R&B singer Joe renders “Closer,” a song co-written by Juan Winans (Winans Phase 2). Micah Stampley, who first came to our attention via a T.D. Jakes project, does Brian McKnight’s hit, “Back at One.” The overall result is an a seamless, unified sound that defies categorization.

Bishop Jakes keeps things tied together thematically by lending his resonant basso on interstitials about love. On “The Homily,” he offers a heartwarming message about the true meaning of marriage.

In addition to being a clever tie-in with the popular film, this collection of a dozen rosy songs demonstrates just how very similar sacred and secular artists sound when they are singing about love, an emotion that embraces both sides of the white-carpeted aisle.

Four of Five Stars

Picks: “Finally,” “Closer.”

Tuesday, June 28, 2011

Shawn McLemore - One Percent Miracle Any Minute Now

Shawn McLemore
One Percent Miracle Any Minute Now
Blacksmoke Music Worldwide (2011)
http://www.gospeltruthmagazine.com/

By Bob Marovich for The Black Gospel Blog.

Most gospel music enthusiasts know Shawn McLemore as one of the three authoritative gospel tenors on James Fortune & FIYA’s chart-topping smash hit, “I Believe.”

On that single, McLemore’s piercing, tough tenor voice complimented James Fortune’s declarative delivery and Zacardi Cortez’s traditional style. Together, they eked every available ounce of utility from "I Believe," and it’s still on Billboard's Gospel Singles chart to this day.

The “One Percent Miracle” in the title of McLemore’s latest solo album, his fourth, refers to his July 2010 heart attack, when the doctors gave him a one percent chance of recovery. Not surprisingly, the artist, having recovered, peppers the album with messages of God-given hope in the midst of life’s trials.  He affirms that no matter the problem, God can fix it. In fact, “it’s already done.”

“I Believe” is included on the album, as is “Miracle,” a song and performance cut from the same cloth. “Been So Good,” one of the album’s best tracks, is an up-tempo hand-clapper with holy dancing at the conclusion. “Any Minute Now” showcases McLemore’s instinct for the preacher’s cadence as he testifies about a God whose help is just around the corner. Venturing into urban R&B territory, “My Praise” sounds a bit out of place in the midst of meaty gospel selections, such as "Mustard Seed," which benefits from Men of Standard-esque harmonies.

Throughout the album, McLemore proffers simple statements cut from, or destined for, church vernacular, such as “If I have the faith/God’s got the power” and “transform your misery moments into miracle moments.”

One Percent Miracle Any Minute Now benefits from a battalion of top-shelf producers, including Aaron Lindsey and Ay’ron Lewis, all of whom work their magic from a handful of Houston studios. It is a strong gospel album fueled by the heartfelt delivery of Shawn McLemore, brought back from the precipice of death and making the most of his one percent miracle.

Four of Five Stars

Picks: “I Believe,” “Miracle,” “Been So Good.”

Monday, June 27, 2011

TBGB Pick of the Week: June 27, 2011

“God”
Gail Holmes
From the Habakkuk Music CD I Receive Your Love (2011)
http://www.habakkukmusic.com/

Written by the incomparable Donald Lawrence, “God” receives an effective reading by psalmist Gail Holmes (“Whatever It Is”).

A songwriter herself, Holmes flexes her lilting-to-muscular soprano to lift this ballad of anthemic praise into a thing of beauty. Her voice soars over the background vocalists who support the singer with tight, balanced harmonies.

“God” ranks as among Lawrence’s and Holmes’ finest work.

Sunday, June 26, 2011

Macey J. Wright Loves Music "in Every Sense"

By Bob Marovich for The Black Gospel Blog.

Macey J. Wright’s debut album, The Intervention, is a distillation of the artist's varied musical influences and life experiences, “starting from adoption, marriage, and having children.

"I wanted to make a CD that everybody could listen to," Wright told TBGB during a telephone interview earlier this week. "I wanted to reach everybody. Even my attire on the album was to catch the eye of someone who was not the traditional gospel person, but who would listen to this CD.”

Wright was born in Brooklyn, NY. She was adopted by a Pentecostal mother and Baptist father, “and Pentecostal won out,” she said. As a young girl, she attended Holy Nations Pentecostal House of the Lord in Newburgh, NY.

Music came into her life when she was six or seven years old in the form of an old upright piano her uncle gave her mother. “I started banging on that piano,” she said. “My first song was from the movie Ice Castles.”

Wright admitted that as a youth, creating and listening to music were vehicles of escape because she struggled with the circumstance of being adopted. “It caused more pain than I should have let it.” Ultimately, she recognized that if it weren’t for her new parents, she may never have discovered her calling to music.

Although Wright took piano lessons formally as a college student, she started by teaching herself to play, serving as Holy Nations’ pianist and its first music director. She organized a Sunshine Choir “that consisted of my nephews and my nieces, and some of the local children. I’d feed them pizza on Friday and say ‘Now, you’ve got to come to church Sunday and sing the song I’m trying to teach you!’”

Wright’s musical influences included Andrae Crouch, the Clark Sisters, Yolanda Adams, and Shirley Caesar. While studying at Five Towns College in Seaford, Long Island, where she earned an associates degree in jazz and voice, she expanded her musical spectrum to include Michael Jackson, Janet Jackson, Eartha Kitt, Manhattan Transfer, Spyro Gyra, and jazz violinist Jean-Luc Ponty. “An eclectic mix of all musicians. I just love music in every sense!”

She entered the Army to earn money to continue her schooling, serving as a military police officer and performing patriotic music. While stationed in Germany for five years, she joined a local group called the Pyramid Band, which played primarily top 40 hits. “When I would sing top 40 songs in Germany, I was like, ‘Oh Lord, if my mother heard this, she would die!’"

With a Pentecostal mother, "we weren’t supposed to be listening to Prince or Janet or Michael. I remember playing Janet Jackson’s Control on my record player in my room. When my mother heard it, she came in and cracked the record in half! I thought, ‘Oh, you just destroyed musical genius!’ but for her it was all about the sound of the music. She didn’t understand that it was about the artists' musical genius, so she forbade it."

Still, it was her mother who persuaded her to rededicate her musical talent to the Lord. “She told me that God gave me this gift, and I should give it back to Him. She told me, ‘If you give it back to Him, then He’ll magnify it.’ That was really inspirational for me.”

Today, Wright is minister of music at Redeeming Love Family Church in Fayetteville, NC.  The initial response to her album, The Intervention, and its first single, “Can You Use Me,” has been positive.  They can be heard in 39 cities thus far, she said. “The album is blessing the hearts of those who might not go into traditional gospel or the more contemporary gospel, but they are listening to this. I’m really excited about the feedback I’m receiving.”

Wright is now preparing promotional appearances and hopes that another single from the album, “Miracles on the Sea,” one of the most breathtaking of inspirational songs thus far this year, secures as healthy a following as "Can You Use Me."

“[‘Miracles on the Sea’] was captured on the first take and the only take,” she said. “We didn’t add anything to it: no bells, no violins, nothing. Afterwards, the producer, the engineer and I just sat in the studio, crying!The song says that when you are going through, God won’t take away the obstacles. He will give you the strength to take you through them.”

The most personal statement on The Intervention, however, is “7 x 70.”

“I read in the Scriptures that when somebody does something to you, you have to forgive him seven times seventy. Multiplying it, that's 490 times!  That’s a lot of forgiveness! But the Word of God allows us to know that we can forgive.  It is a catapult to other great things that happen because we let go of what someone may have done or said.

"It allows God to do what He wants to do in our life because we don’t have all that junk holding us back.”

For more information, go to http://www.maceywrightintervention2k10.com/

Saturday, June 25, 2011

"What God Says" - Evaughn High

“What God Says”
Pastor Evaughn High
From the Highest Praise Records CD
What God Says “Unleashed” (2011)

With embellishments that evoke the sound of Aretha Franklin and Jennifer Hudson, Pastor Evaughn High declares that what God says about you settles it, no matter what the enemy says.

The warbling B3 behind the co-pastor from Milwaukee gives the song additional trad cred.  The background vocalists, who appear out of nowhere, turn up the heat as High tunefully shouts her personal victory at the conclusion.  "What God Says” is a touching, well-rendered selection, and that settles it.

Friday, June 24, 2011

Falishia - I Long for You

Falishia
I Long for You
Sky Walkz Music 2010
www.myspace.com/falishiaalice

Falishia A. Roberts is a chilling artist.

Not as in frightening, but as in relaxing, mellowing, a peaceful, body temperature-lowering songster.

The sacred selections on the Los Angeles-based artist's I Long for You are wrapped in smooth, atmospheric jazz: easy and meditative. The fedora-wearing Falishia has the finest descriptor for her sound: “jazzspel…a smooth peaceful groove.”

Falishia’s full-length album was released earlier this year, with major seventh and other mellow jazz chords dressing lyrics that are encouraging (“Hold On”), prayerful (“Heaven’s Lullaby”) and worshipful (“You Alone Are Worthy”). “Draw Me” is the most fetching and compelling of the ten selections, but “Heaven’s Lullaby” is the most illustrative of Falishia’s hushed style.

“Follow” breaks the mold with its more rhythmic backdrop but the melody and Falishia’s soft delivery are in keeping with the album’s other selections, which are lovely though sometimes derivative of each other.

I Long for You is sacred music to listen to before bedtime or as restoration after a long day of work, play or worship. Those who like Jill Scott, Sade or Lisa McClendon in her quietest moments will enjoy this album. Lew Laing produces.

Three of Five Stars

Picks: “Draw Me,” “Heaven’s Lullaby.”

Thursday, June 23, 2011

Son Helps Carry Out Father's Wish to Bring Classic Quartet Back

By Bob Marovich for The Black Gospel Blog.

“We couldn’t touch the guys who did those songs originally, and we didn’t try. We just wanted to bring back their sound for those who knew it once, and to offer it to young people who might like it.”

This is how Ira Tucker, Jr. described the Dixie Hummingbirds’ recent release, Gospel Praise Songs...Powered By Quartets.

Tucker, whose father, Ira, Sr., was the Birds’ mainstay and iconic lead singer, now manages the Dixie Hummingbirds. He talked with TBGB about the new project.

"My father was concerned that traditional quartet music was fading away.  He had been in quartet music seventy years of his life. He knew people loved this music but they couldn’t hear it anymore on radio.”

The elder Tucker decided he wanted to help classic quartet music get its props by producing an album of classic songs he liked, but that were performed and recorded by top gospel quartets other than the Dixie Hummingbirds.

“His idea was to bring the original songs back, and maybe that would help,” Ira, Jr. explained. “He came up with a list with like 30 songs on it. When he passed away, that put a hold on the project. Then when Mom passed away, we got together and said, ‘Look, this is what Pop wanted to do, let’s try to do it.’ And it was on me to pick ten songs from his list.”

Ira, Jr. selected the songs, and in May 2010, the current iteration of the Dixie Hummingbirds – William Bright, Lyndon Baines Jones, Torrey Nettles, Carlton Lewis, and Adebo Wali – agreed to take a year off from touring and get to work.

For musicians, the group turned to an unlikely but ultimately fortuitous source: the Philadelphia High School for Creative and Performing Arts.

LaDeva Davis, the high school's dance teacher, had invited the Birds to perform for the students. The quartet enjoyed the experience so much that they decided to give the young people an opportunity to play along with them on six of the CD’s ten selections. Austin Lightfoot, a senior who is now studying at Berklee College of Music, wrote the string arrangement for “The Love of God.” A student even filmed the companion DVD.

“They all did a marvelous job,” Ira, Jr. said. “They didn’t know about this music at first, but they got it. It’s amazing to see high school kids, regardless of race and demographics, playing traditional gospel quartet music.”

Proceeds from Gospel Praise Songs will benefit the Ira and Louise Tucker Preservation Foundation, a nonprofit founded by Ira, Jr. “I wanted to do something to honor both my mother and father,” he said. “The foundation will help senior quartet members who are down on their luck to get medical assistance. It will also promote quartet singing among youth in the hopes that more of them will aspire to sing quartet.”

He added, “At some point in the future, our plan is to subsidize promoters to bring gospel quartets into various cities.”

Meanwhile, the Birds are working on another CD, Benevolence, which will introduce new songs in the Dixie Hummingbirds style. A third CD is in the works, this one scheduled for a 2015 release, when the legendary quartet’s memorabilia, artifacts and photos are placed in the Smithsonian Institution as part of a permanent exhibit on American culture.

Ira, Jr. hopes Gospel Praise Songs not only results in new fans for the Dixie Hummingbirds, but also for groups like the Pilgrim Travelers and Harmonizing Four whose music is featured on the CD.

“We want you to love us and what we’ve done, but check them out, too, because that gets you into the whole history of quartet. These songs are just as relevant today as they were then."

The DVD is not for sale yet.  The CD, currently being shopped to major labels, is available as a pre-release limited edition through LaDeva Davis (267-918-2814).

Ira Tucker, Jr. summed it up.  "If nothing else, we should keep traditional gospel alive for the sake of those to come. This music spawned everything else.”

Wednesday, June 22, 2011

William Taylor - Blessfully Yours

William Taylor
Blessfully Yours
Garment Records 2011
http://www.singwilliamsing.com/

From Angier, North Carolina, actor and singer William Taylor caught the attention of the gospel music industry in 2000 when he served as lead vocalist on "If You're Gonna Worry, Don't Pray" with Denver A. Wright & the Collective, featuring Tony Terry. He went on to release his debut solo CD, Blessfully Yours, in 2004, and reissued it on Garment Records this year.

Taylor sounds like a quartet lead, his voice containing an amalgam of influences, from Al Green to Johnnie Taylor and Sam Cooke. In addition, his songs have the quartet’s penchant for down-to-earth lyrics and messages, the mother wit that gets you through the day. The result is an album with a distinctively 1970s southern soul sound and messaging.

Especially interesting tracks are Taylor’s gospelization of Stevie Wonder’s “Signed, Sealed, Delivered,” and the funkiest version of “All God’s Children Got Shoes” I’ve ever heard (Taylor titles it “Heaven”). On the other hand, Taylor’s almost note-for-note cover of the Soul Stirrers’ “Touch the Hem of His Garment” could have used a little less percussion, as it competes with the vocals for the listener's attention.

The album’s top tracks are Rev. Norris Garner’s “Glory of the Lord,” a simple worship ballad with a moving arrangement; and the title track, which on its surface appears conventional but you find yourself singing along with the catchy chorus soon enough.

Taylor spices some of his songs with flights of falsetto improvisation, and they are so good he could have done more of them. Nevertheless, William Taylor has an easy way with a song, and Blessfully Yours is a pleasant listening experience.

Three of Five Stars

Picks: “Glory of the Lord,” “Blessfully Yours.”

Help Gospel Violinist Kersten Stevens Make a New Record

Have you ever wanted to be part of the music biz? Gospel violinist Kersten Stevens needs your help to fund her next album.

Kersten Stevens is a fabulous and amazingly gifted musician: Jean-Luc Ponty meets Gospel Pearls.

Join her by contributing to her Kickstarter campaign before June 29, 2011 at 12:40 p.m.: http://kck.st/kqx1B3.

NOTE:  Kersten Stevens raised the money she needed...thank you to all from TBGB land who participated!

Click on the image to enlarge the text.

Tuesday, June 21, 2011

Kevin Bond Presents Dr. Noah Nicholson, II & the Family Worship Celebration Choir - We Give You Praise

Kevin Bond Presents Dr. Noah Nicholson, II &
the Family Worship Center Celebration Choir
We Give You Praise
Barrow Music Group/Rehoboth 1 Media (2010)
http://www.fwc-chicago.org/

Long-playing offerings of music and preaching from African American churches began in the mid-1950s, with the dawn of the LP, but really caught on in the 1970s and 1980s.

After awhile, every church worth its muster had at least one album to its credit. While most were produced locally for church fundraising purposes, others became national charters, especially those “presented” by James Cleveland for the Savoy label during the heyday of the contemporary gospel choir.

The tradition continues, even more so in today’s DIY society, albeit with more sophisticated production techniques and top-shelf musicians. For example, Dr. Noah Nicholson tapped his high school friend, Grammy and Stellar Award-winning producer Kevin Bond, to tackle his Family Worship Center’s debut project, We Give You Praise.

The lyrical focus of the songs on We Give You Praise is telegraphed by the album title, but they are P&W songs with real heftiness. The polished choir of 50 voices enters His courts with praise and lingers, supporting a dozen gutsy singers, including Dr. Nicholson, who shows his own proclivity for singing on the title track.

Other top vocalists on the album include Apostolic Church of God’s Dwayne Lee, Tyrone Madden and Cecelia Garmon, the latter two leading the album’s singular gospel-bluesy “You’re My Everything.”

I’m not surprised this album made the Billboard gospel charts, as its song selection, dynamic range and energy are impressive. Songwriters whose work is included here include Alphaeus Anderson, Kevin Bond and FWC Minister of Music Sandra Dillard. The choir and leads know how to move a song from relaxed to intense to sanctuary-erupting, and do it with regularity on the project.

Chicago's Family Worship Center Celebration Choir sings as if it has nothing to lose and everything to gain, and it gains high marks on We Give You Praise.

Four of Five Stars

Picks: “My Everything,” “You’re My Everything,” "Jehosaphat's Prayer." 

Monday, June 20, 2011

TBGB Pick of the Week: June 20, 2011

“Things”
BeBe and CeCe Winans, feat. Pastor Marvin Winans
From the B&C Records/Malaco Records CD Still (2009)
http://www.malaco.com/

It’s a family affair on “Things,” the latest single culled from BeBe and CeCe Winans’ successful 2009 comeback CD, Still.

We make “such a fuss” about material things, BeBe and CeCe sing to a shoulder-shaking beat, but they can’t bring you happiness. Diamond rings, fancy clothes and money can’t help you “when you’re hurting inside.” “In the darkness of the night, He’s the only one who knows.”

For those who still don’t get it, Pastor Marvin Winans preaches the song’s moral premise.

"Shadrack, Meshack, Abednego" - The Gospel Hummingbirds

“Shadrack, Meshack, Abednego”
Gospel Hummingbirds
From the CD Life Songs (2006)
www.thegospelhummingbirds.com

The Grammy-nominated Gospel Hummingbirds give the quartet classic a modern, funky twist.

The lead singer shouts and launches into wailing falsetto in telling the story of the three Hebrew children, while guitarist Morris LeGrande lets loose with an entire arsenal of rock-bluesy licks, all to a quick, two-stepping tempo. The quartet, with Manhattans-like smoothness, chimes in harmonic assent.

Good to hear this song is still in the quartet repertory. Good to hear the Bay Area’s Gospel Hummingbirds are still out on the gospel highway.

Sunday, June 19, 2011

Salutes to Gospel Legends!

Events in Philadelphia and Chicago celebrated gospel legends...and what better time than Black Music Month?


Harry Bullock, Deacon Reuben Burton and Rev. Stanley Keeble discuss the highs and lows of the gospel highway with moderator Effie Rolfe (center) at the Chicago Gospel Music Heritage Museum's Roundtable Saturday, June 18. The event was the first of a quarterly series of discussions with the legends, funded by the Illinois Humanities Council.


Legendary quartet guitarist Howard Carroll and Lyndon Baines Jones of the Dixie Hummingbirds share a moment during the Philadelphia premiere of the gospel documentary Rejoice and Shout.


Sam Cooke -- lead singer of the Soul Stirrers before becoming a soul superstar -- was recognized in Chicago Saturday afternoon, June 18, with his own honorary street sign. Note that Sam Cooke Way intersects with Albertina Walker and the Caravans' honorary drive!


Rev. Joe Williams (Sons of the Birds, Dixie Hummingbirds) with Howard Carroll at the Philadelphia premiere of Rejoice and Shout.

Photo credits: Rev. Joe Williams, Lyndon Baines Jones, Bob Marovich.

Preashea Hilliard - Live Out Loud

Preashea Hilliard
Live Out Loud
Blacksmoke Music Worldwide (2010)

To Preashea Hilliard, “LOL” means Live Out Loud.

And loud – in energy, enthusiasm, volume and message – is exactly what her debut project, Live Out Loud, exudes.

The Houstonian vocalist is the youngest daughter of Bishop I.V. and Lady Bridget Hilliard of Houston’s New Light Church, where the CD was recorded live in April 2010. Preashea smartly assembles songs from talented writers such as Deitrick Haddon, Israel Houghton and Kurt Carr, and contributes a few of her own compositions, to create an impressive debut album, produced by Grammy Award-winning Aaron W. Lindsey.

The first portion of Live Out Loud contains thunderous musicianship, a real brass section, and background vocalists backing Hilliard, her melodic voice at times possessing the tight, lyric vibrato of Streisand and some of the songbird's soul-centered drama. Selections such as “He’s Able,” “Fresh Fire” and “Lift Up Your Heads” (by Aaron Lindsey and James White, not the Coleridge-Taylor hymn) establish a powerfully charged atmosphere from the get-go.

It is only during “Redeemer,” a lovely gospel song teaming Hilliard with her godmother, CeCe Winans, does the temperature cool to a reverent, prayerful mood. It is as if the audience, lifted from their seats by the extroverted tempos, awaiting and acknowledging redemption, could finally settle into a more mellow worship frame of mind. One of the mellow worship ballads in this section, “Oh How We Love You” is a fine example of Hilliard’s songwriting: a textbook P&W ballad with a memorable melody.

From there, Hilliard and company offer dynamic arrangements of praise and worship pieces. Later, Bishop Hilliard contributes an exhortation prayer and launches into a simple sing-a-long melody on “Jesus I Love You.”

Preashea Hilliard's recent appearance at the popular South By Southwest music festival undoubtedly introduced her to many new gospel enthusiasts.  On Live Out Loud, "Pastor P." shows she can guide an audience from arm-waving praise to hushed prayer and back again.
Four of Five Stars

Picks: “Redeemer,” “Fresh Fire,” “He’s Able.”

Friday, June 17, 2011

Selah - Look At You Loving Me

Selah
Look At You Loving Me
Lisa Watkins (2010)
www.pauseandthink.com

I am not well-schooled in inspirational poetry – though in 2009 Poet Keith Ferguson shared with TBGB the vibrant religious spoken word community that exists nationally – but even I can figure out that Lisa “Selah” Watkins definitely belongs in this community.

Her spoken word CD, Look At You Loving Me, is a demonstration of her provocative poetic skills, with music backdrops that run from conventional to edgy.

Like a Beat poet from the Lawrence Ferlinghetti 1950s, Selah, born in Washington, DC, pours out verse like water from a pitcher, consonants and vowels rolling rivers of sound as the music encourages her like an appreciative audience. Throughout this project, Selah's message is that Satan is the enemy – not individual people, situations or races – and that God is the true king.

In fact, “Black History Month” challenges listeners to keep in mind that God is the real mover and shaker, and that if Rev. Dr. Martin Luther King, Jr. or Rosa Parks hadn’t assumed their ordained calling, God would have sent someone else in their place. It’s a message that will make some listeners uncomfortable or even disturbed, but if one thing is certain on this CD, it’s that Selah clearly stands by her statement to keep one’s eyes on the ultimate king, who “taught Michael Jackson how to dance and Nancy Wilson how to sing.”

A humorous interlude is “Chain Letters,” on which Selah rants about friends who send her email chain letters with warnings that breaking the chain brings bad luck. She notes, appropriately, that misplaced confidence in such chicanery could actually backfire and turn people away from God.

The title performance is the testimony of a person who turns from drugs, casual sex and disinterest in church and religion (though she prays for her sports teams to win) to a disciple with a mission to spread the word. That's what Selah does on Look At You Loving Me.  Her website, “Pause and Think,” aptly sums up the project's point of view.

Three of Five Stars

Picks: “Look at You Loving Me.”

Thursday, June 16, 2011

Not Just Another Saturday Night: Sam Cooke Day in Chicago June 18

Saturday, June 18 at 2:00 p.m., the late Sam Cooke, famed lead singer of the Highway QCs and the Soul Stirrers, soul pioneer and record label executive, will get his own street in Chicago.

"Sam Cooke Way" will be unveiled at a special ceremony at 36th and Cottage Grove, where Rev. Cook and his family, including son Sam, lived when they first moved to Chicago.

The event is being organized by the Chicago Blues Museum.

For more information, read the article in Goldmine Magazine:

Sam Cooke Day June 18

Photo: Wikipedia

Wednesday, June 15, 2011

Swingin' on the Golden Gate, Vol. 2 - A Survey of Bay Area Gospel

Swingin’ on the Golden Gate, Vol. 2:
A Survey of Bay Area Gospel

Fog City Music Group (2011)
Available from www.rootsandrhythm.com

Gospel historian and compiler Opal Nations stays close to home this time, scouring his San Francisco-Oakland stomping grounds for a variety of vintage gospel sounds. The result is Swingin' on the Golden Gate, Volume 2, a two-CD, 53-track compilation featuring 53 different artists.

Soloists, quartets, choirs, preachers and groups are equally represented on the compilation, which focuses on gospel's Golden Era of the 1940s through the 1960s. While a smattering of better-known Bay Area artists are included – among them Revs. G.W. Killens and Louis Narcisse, and the Rising Stars and Paramount Gospel Singers – the great majority are amateurs, church groups and local professionals who sang the glory down well before the Hawkins Family burst on the scene with “Oh Happy Day.” (Narcisse, by the way, is absolutely buoyant here leading the hand-clapping congregational song, “Glory Glory,” from 1959.)

Deserving special mention are a young Sly Stone, who sings and plays guitar on “Walking in Jesus’ Name” from 1952; and Mabel Henderson, whose huge voice nearly matches the largesse of COGIC chirpers Ernestine Washington and Emily Bram. The rich, vibrant thousand-voice National Baptist Convention choir, under the direction of Jules Haywood, renders a stunningly breathtaking version of “Unclouded Day.”

On "I'll Make It Somehow," Brother Green’s Southern Sons cast their sound in the Soul Stirrers mold, while Tommy Jenkins and the Mountain Stars render “Travelin’ Shoes” in acappella jubilee fashion, like a west coast chapter of the Golden Gate Quartet (with the Golden Gate Bridge for added provenance).

The 45s and 78s reissued here may be the sole surviving aural examples of an artist’s work. Nations does his best cleaning up the sound quality of the well-worn and rare records featured on the compilation.

And speaking of the Hawkins Family, Nations confirmed that the Dorothy Morrison who sings “I am Free” with the Combs Family is the same Dorothy Morrison who led “Oh Happy Day?”

Besides short bios on some of the featured artists, the liner notes provide brief histories of the African American church in the Bay Area and its quartet tradition.

In case you were wondering, Volume 1 is a compilation of blues, doo-wop, jazz, and R&B from the Bay Area, released as a boxed set by JSP Records last year.  On Volume 2, Opal Nations' Fog City provides a sampling of the greatest gospel music you never heard.

Five of Five Stars

Tuesday, June 14, 2011

J. Spence - Ascension

J. Spence
Ascension
Diversity Music Group (2011)
http://www.diversitymusicgroup.com/

Released in April, Ascension is the third solo project by J. Spence, a Christian hip hop artist from Buffalo, New York.

Inspired by Luke 24, J. Spence has taken his message to the streets to save souls. Not surprisingly, Ascension emphasizes the importance of discipleship and evangelism to, as the artist articulates on “Peculiar,” “fulfill the book story.”

J. Spence credits Jay-Z and Mali Music as influences, and the album’s clever beats bear this out, especially “Friend Like Me,” which has for a backdrop the zoot-suited, big-band Broadway soundtrack from the popular animated film, Aladdin. Similarly, “The Price is Right” borrows the familiar theme song of the game show for its support while J. Spence spits about Jesus who “paid the price” and “fronted the bill.” “Waiting” samples snippets of uncredited female gospel singing.

“So In Love,” featuring Kyria, Mahogany Jones, Choson, and Houston Knight, Jr., is a love expression, duly wrapped in a romantic melody, and directed to Jesus whose unconditional love is priceless.

The most poignant of the album’s fifteen tracks is “Pray,” on which J. Spence tells the story of a single mother at wits' end, and the equally distraught father. “Just pray” is the mantra and motto, though J. Spence seems also to employ the stories as cautionary tales and to evoke sympathy for the players' circumstances.  In other words: there but for the grace of God go I, so be careful of the stones you throw.

Overall, the rhymes on Ascension are crisp, easily to follow, straightforward, and the variety of beats and rap rhythms give the album added vitality. J. Spence is a Christian hip hop artist who knows his craft and has, to quote one of the tracks, “Life, Strength and Swag.”

Four of Five Stars

Picks: “So In Love,” “Pray.”

Monday, June 13, 2011

TBGB Pick of the Week: June 13, 2011

“If You Praise Me”
James Hall and the Voices of Citadel
From the Music Blend CD Won’t It Be Wonderful
www.myspace.com/voicesofcitadel

The Brooklyn choir that gave us “Hallelujah to the Lamb” and the high-spirited version of the Davis Sisters’ “Won’t It Be Wonderful” are back with “Praise Me,” another traditional choral rafter raiser culled from the same album.

James Hall's ensemble possesses that huge, aggressive East Coast vocal sound and is well supported by a combo that includes bluesy piano, chirping B3, thumping bass runs and slamming percussion. The audience, already spirited to church by this selection, is especially roused when the group climbs to the song's apex one key change at a time.

If you liked “Won’t It Be Wonderful,” you’ll equally enjoy “If You Praise Me.”

Sunday, June 12, 2011

Marti Dorner - Marti

Marti Dorner
Marti
Marti Entertainment, LLC (2011)

Singer-songwriter Marti Dorner – known simply as Marti – released her self-titled debut album this past April.

Originally from Nassau, Bahamas, Marti entered the Christian music industry after coming to the attention of Orlando, Florida-based industry insiders. Since she has worked with artists in the gospel and Christian music categories – from Ron Kenoly to Babbie Mason to the Gaither Vocal Band - it’s not surprising her album is a blend of both.

Marti is someone to be appreciated not only for her singing but also for her songwriting. Her sweet spot in both is the inspirational ballad. She gives her message songs an AC pop construction, such as “He is Able,” a love song to God that Marti renders lovingly and warmly, the vocals like hot cocoa on a winter’s evening.

The album’s lead single, the worship ballad “Even Now,” was written the day she miscarried her first child. Despite the emotional pain that brought it into being, “Even Now” communicates a tenderness and generosity of spirit in surrendering to God’s will.

The gospel-focused pieces are the R&B-charged “Shouts of Victory,” and “Endless Grace” features a sassy side of the artist.

Marti also demonstrates a fondness for praise and worship ballads, as evidenced by the Caribbean-tinged “Clap Your Hands,” on which she sings with the praise party passion of Martha Munizzi, with whom she’s worked. Others are the meditative “Communion,” which features lovely piano work by Jonathan Wolliston, and the hypnotic “Sacrifice,” a simple song over which Marti’s vocals float and soar.

“I Come to Worship” is exactly what its title suggests.  It is humble and prayerful, two words that are also fitting descriptions of the album.

Three of Five Stars

Picks: “Shouts of Victory,” “He is Able.”

Saturday, June 11, 2011

Macey J. Wright - The Intervention

Macey J. Wright
The Intervention
Wrightway Ministries (2011)

Youthful, smart, pleasant and accessible are words that come to mind for describing Macey J. Wright’s The Intervention. It’s a fine debut for a talented and creative artist.

Brooklyn-born but now living in Orlando, Wright leads The Intervention with the neo-soul brightness of Leah Smith, the smarts of Angelia Robinson, and the sophistication of Lisa McClendon, with whom Wright has shared the stage.

The opener, “7 x 70” is an obvious paean to forgiveness, but Wright relates painful life-like stories that demonstrate just how difficult, and how critical, forgiveness is. The jazzy “If I Knew the Lord” finds Wright contemplating how much richer her life would be if she walked in the pathway of righteousness.

The album’s music is a bit of a passing parade of styles, but Wright stays mostly in the neo-soul vibe, though she waxes urban R&B, and even raps for a minute, on “Love Note.” Hats off to pianist/accompanist Christian Dentley, who changes performance styles like a chameleon depending on the musical mood: from pop-rock (“Mighty God”) to jazz (“If I Knew the Lord”) to semi-classical (“Miracles on the Sea”).

“Can You Use Me” and the spritely “Mighty God,” with their pop sensibilities, are the current singles, but the album’s magnum opus is “Miracles on the Sea.” Here, Wright gets in touch with her inner Alicia Keys on a track that is just singer and piano, and gospel always sounds best that way. The song's melody and lyrics – Wright is safe on the shore because God is on the water keeping the storm at bay – are attention-grabbing in their poignancy and simple beauty.

If there is one adjustment to make, it would be to move the dramatic, dreamlike “The Intervention” from the end to the middle of the album, where the songs that follow would augment its message of transformation.

Nevertheless, The Intervention is instantly listenable, the kind of album that those who don't think they like religious music will take to.

Four of Five Stars

Picks: “Can You Use Me,” “Mighty God,” “Miracles on the Sea.”

Thursday, June 09, 2011

Bobby Perry and RAIN - Conquerors

Bobby Perry and RAIN
Conquerors
Solaria Records (release date: June 21, 2011)
http://www.bobbyperryonline.com/

Bishop Robert C. “Bobby” Perry II is pastor of The Kingdom Church in Boston, and RAIN (Royal Agents Influencing Nations) is his gospel singing group. Conquerors is Bobby Perry and RAIN's sophomore release.

The title track, which features a guest lead by Natalie “Girl Director” Wilson, possesses a powerful staccato marching beat that fits the ensemble’s lyrical declaration to “fight the enemy.” The flammable mixture of buzzing rock guitars and drums on “Conqueror” also predominates on the album’s propulsive first single, “Say Yeah.” RAIN even rocks an urban AC beat effectively on “Alright.”

From there, the power pop fades as Perry and RAIN move into power praise mode, unleashing from their arsenal a talent for the “slow burn:” that gradual increase of volume and vigor by vocalists and musicians, who begin with a delicate melody and conclude with in-your-face explosive intensity.

RAIN has a tight, professional sound, plenty of fine vocalists from which to choose (in addition to Wilson, Jason Nelson and Major Johnson-Finley guest) and benefits from fine production and direction.

While no song stands out in particular, two ballads – “My Jesus” and “One Voice” – showcase the group’s finest characteristics: delivering sweet harmonies and fine melodic runs. “One Voice” also features a lovely soprano lead whose dynamism alone sells the song.

“I Am You (The Father’s Song)” is a personal tribute to father, acoustically performed. In a genre chock-a-block with mother songs, this track is a refreshing discovery and ideal for radio programming on Father’s Day.

Three of Five Stars

Picks: “My Jesus,” “One Voice.”

Wednesday, June 08, 2011

"Liberation" - Alkendria

“Liberation”
Alkendria
From the forthcoming SGR Music Group CD Liberation
(in stores July 5, 2011)

Houston’s Alkendria does her thing on a new, high-energy single.

“Liberation” is a hands-in-the-air praise rave and appropriately so, given the lyrical salute to personal freedom. The song is about overcoming life’s obstacles on the way to spiritual emancipation and victory.

Chains, snares can’t hold you down, Alkendria sings, with the Lord on your side. “No mountain too steep/Ain’t no ocean too deep,” the background vocalists chant in return, because they have already won.
Minister Trey Davis cameos with a brief message of confirmation as the beat goes on.

Spirited, light and fun, summer fare for mp3 players.

Tuesday, June 07, 2011

"Life Line" - Corey Webb

“Life Line”
Corey Webb
From the forthcoming album Life Line (due March 2012)
Single available on iTunes

Top ten finalist on the first season of BET’s “Sunday Best,” Atlanta’s Corey Webb flexes his beseeching, urgent tenor on “Life Line,” a single that was selected for EMI’s Inspiration Jam Volume 3 and will become the title track of his forthcoming album.

“Life Line” opens and closes with the singular beating of a heart on life support. In between is a lovely urban AC inspirational ballad on which Webb asks God to send him a lifeline because he is “buried so deep in sin.” The musicians play it cool and off in the background, allowing Webb to emote unfettered about the lifeline he needs “so I can be saved.” The single goes to show, once again, that indie artists get it done, too.

Webb is minister of music at New Zion Christian Church in the Atlanta area and a member of the House of God Saints in Christ church, where Bishop Lorenzo Moore is pastor.

Monday, June 06, 2011

Tedashii - Living with the End in Mind

By Bob Marovich for The Black Gospel Blog.

TBGB had a chance to talk with, and learn more about, Christian rapper Tedashii, whose new release, Blacklight, is currently riding high at #2 on Billboard’s Top Gospel Albums chart.

Originally from Houston, Tedashii Anderson was born to an African American mother and Samoan father. His mother’s eclectic musical taste made an early impression on him. “I grew up with my mom playing anything from blues to country to jazz to pop,” Tedashii explained.

But there was one music style that was not part of his mother’s music collection: hip hop. “There was no hip hop in the house,” Tedashii laughed, “and if there was, I snuck it in and hid it in places she couldn’t find it!”

Tedashii set out to make a career in communications or journalism. “I was a fan of two men. One was Ted Koppel and the other was Tavis Smiley. I wanted to be like them in some way. I was always a fan of a person who could talk for a living and get paid for it. Those two men were doing the very things I wanted to do: travel and speak for a living.”

The young Houstonian also had art in his soul. “I love writing poetry. I love writing short stories. I love doing spoken word and was always trying to dabble in theater and acting. At one point I considered myself a thespian.”

In high school, Tedashii took part in one-act plays and talent shows.  He also played football – “if you grow up in Texas, you have to play football!” – as well as basketball, track and power lifting. “I was trying to do other things besides sports. I wanted to be well-rounded.”

He got his first exposure to Christian hip hop while studying at the University of North Texas. It was there he became a Christian. “The guy who actually told me about Christ and the Bible and shared the gospel, he was one of the first to encourage me to write rhymes for the Lord,” Tedashii explained. “But I really wasn’t doing it until I met Lecrae and Sho Baraka.”

Tedashii was introduced to his soon-to-be Reach Records label mates through Sho’s brother, Dhati Lewis. Lewis, now a pastor in Atlanta, was then head of Plumbline, a college ministry on the campus of the University of North Texas. Tedashii, Sho Baraka and Lecrae were part of Lewis' campus ministry and became roommates. “We did the whole college thing, and in the midst of it, music came out of us...just being who we were.”

The trio named their early music partnership "116 Clique," after “a nickname a bunch of us in college ministry gave ourselves. It’s based on Romans 1:16. When we decided to do music, 116 Clique fit who we were. It fit not only our attitude for music, but our attitude for life.”

How does one define the 116 Clique style? “It’s southern, because we were bred in a southern environment,” Tedashii said, “although Sho Baraka is very East Coast-influenced. It’s brash and in-your-face sounding music. At the end of the day, however, our goal is not to emphasize how we’re different but to communicate to a larger audience that we are a movement.”

Although Tedashii started out by guesting on a Lecrae project, he eventually recorded his own material. His sophomore CD, Identity Crisis, made it to the top ten on the Christian and Gospel charts. It's happening again with Blacklight, an album Tedashii describes as about “living with the end in mind."

He said, "As I read the Scripture and look at people in my life that live for the Lord, there is a motivator beyond selfish gain. It is to see Christ, to see God, to someday be in Heaven with Him. If we hold fast to that truth, that truth will affect how we live day to day. If we live with the end in mind, we’re encouraged in our good times as well as in our hard times and we know what we’re aiming for.”

“Riot” is the album's first single. Tedashii describes it as “not really something typical of me, but it’s definitely who I am." Other strong tracks on Blacklight include “Dum Dum,” "Reverse," and "This is the Life."

In addition to guest appearances by Tedashii's Reach Records colleagues, the album has a global flavor, with cameos by London's S.O. and Jennie Norlin of Sweden.

Now that Blacklight has been released, the next few months for Tedashii will be about album promotion; participating in “Man Up,” a label-wide group project for the company‘s non-profit Reach Life Ministries; “and home life! Getting used to home life again!”

I asked Tedashii if Reach Records is becoming the Motown of Christian hip hop.

He laughed. “That’s pretty good. That’s true! When you mention Motown, things that come to my mind that definitely correlate to us are that they were a group, even though they were individual artists, and that the label had cohesiveness to it. So I think that’s true!”

For more information on Tedashii and Blacklight, visit http://www.reachrecords.com/.

TBGB Pick of the Week: June 6, 2011

“Spiritual”
Donald Lawrence & Co.
From the forthcoming Verity CD YRM (Your Righteous Mind)
http://www.verityrecords.com/

Donald Lawrence is one of the managing architects of today’s contemporary gospel sound, striking chord after chord with modern churchgoers.

The new single, “Spiritual,” is quintessentially Lawrence – the man conversing casually but declaratively with his Company in call-and-response fashion. Everything moves to a strutting-on-a-hot-summer-day rhythm and toward a thunderous choral buildup, with crowd-pleasing staccato exhortations by the singers peppered within. “Spiritual” is like the unhurried, funky uncle of Lawrence’s popular “Back II Eden.”

The title refers to “spiritual” not as a type of song – as in “I’m going to sing an old spiritual” – but as a way of life, an experience, a state of being for which everyone must strive.

Sunday, June 05, 2011

The Dixie Hummingbirds and Friends: Gospel Praise Songs - Powered by Quartets

The Dixie Hummingbirds and Friends
Gospel Praise Songs – Powered by Quartets (2011)
For information, contact Ms. LaDeva Davis: (267) 918-2814

By Bob Marovich for The Black Gospel Blog.

The Dixie Hummingbirds have the distinction of being one of the longest-running quartets on the gospel highway. 

For 83 years.

“The Gentlemen of Song” came together for the first time in 1928, just prior to the Great Depression, and the group’s influence on gospel and quartet singing, as well as on American popular music, is unmistakable. No less than the Smithsonian Institution plans to honor the Dixie Hummingbirds with a permanent exhibit in 2015.

After the recent passing of the ‘Birds’ iconic lead singer Ira Tucker and his wife, Louise, the Ira and Louise Tucker Preservation Foundation was established to assist veteran quartet singers. The CD Gospel Praise Songs - Powered by Quartets, released May 17, 2011, will help raise money for the foundation as well as build greater awareness of the historic importance of gospel quartets. The latter is especially important in a time when groups and soloists have all but squeezed quartets off of gospel radio playlists.

Gospel Praise Songs - Powered by Quartets does old style quartet singing a great service by containing ten straightforward readings not of ‘Birds hits, but those of Golden Era quartets with whom the ‘Birds shared the stage: the Harmonizing Four, Golden Gate Quartet, Sensational Nightingales, Pilgrim Travelers and the CBS Trumpeteers.

The latest iteration of the Dixie Hummingbirds – William Bright, Lyndon Baines Jones, Torrey Nettles, Carlton Lewis and Adebo Wali – perform these groups’ classic songs in as close to the original harmonies and arrangement as possible. Wali, who holds down the bass, boom-de-booms like it's 1957. Quartet enthusiasts will recognize instantly arrangements such as the Golden Gate Quartet’s “Shadrack,” the Soul Stirrers’ “The Love of God” (complete with Johnnie Taylor yodels) and the Pilgrim Travelers’ “Straight Street.”

The musical accompaniment, including able contributions from students of the Philadelphia High School for Creative and Performing Arts, has a contemporary flavor but supports the group well without overpowering the harmonies. Other "and friends" include West Philadelphia's Crusaders for Christ Church Choir, which provides backing vocals on "The Last Mile of the Way," and Philly soul legend Bunny Sigler on "Morning Train."

Gospel Praise Songs - Powered by Quartets is nicely done and its dedication to keeping the traditional sound alive is admirable. It would have been an even bigger treat had veteran Dixie Hummingbirds guitarist Howard Carroll made a cameo appearance, and if there were twice as many songs on the CD, as the project leaves the listener wanting more.

Four of Five Stars

Picks: “To the End,” “Morning Train.”

Saturday, June 04, 2011

Musical Appreciation for Legendary Detroit Organist Frances Chandler

Marcel West and Etta Hixon Laryea told TBGB that there will be a musical appreciation for Sister Frances Chandler.

The program will be Saturday, July 9 at 5:00 p.m. at Bibleway Temple for Better Living, 2995 Joy Road, Detroit. The late Rev. Charles B. Ransom, founder; Rev. Mother Lubertha Potts, pastor.

Sis. Chandler is the organist famous for her work with the radio and recording choir, under the direction of Charles Craig, for Rev. James Lofton's Church of Our Prayer in Detroit.  She was featured recently on an episode of Gospel Memories.

You know it'll be a "Great Day" on July 9!

Friday, June 03, 2011

Chicago's Gospel Living Legends on June 18 Roundtable

The Chicago Gospel Music Heritage Museum announced that it has received a $5,000 grant from the Illinois Humanities Council to host the first-ever “Chicago’s Living Legends of Gospel Roundtable Series.”

Held quarterly beginning in June 2011, Chicago’s Living Legends of Gospel Roundtable Series will be a quarterly cycle of conversations with a group of Chicago-based gospel singers and musicians who rose from humble beginnings to international prominence during the 1950s, 1960s and 1970s.

The first roundtable will be held at 2:30 p.m. on Saturday, June 18, 2011 at Fellowship Missionary Baptist Church, 45th and Princeton Streets in Chicago.

Inez Andrews of the Caravans (pictured); Reuben Burton of the Victory Travelers; and Civil Rights leader Rev. Dr. Clay Evans, founder of Fellowship M.B. Church will serve as panelists. Gospel radio announcer Effie Rolfe of Inspiration 1390 AM will facilitate the discussion.

Chicago Gospel Music Heritage Museum Founder Rev. Dr. Stanley Keeble said, “Thanks to the Illinois Humanities Council, everyone, and especially young people, will be able to hear from those who were there, who traveled the gospel highway during a time of disenfranchisement and discrimination against African Americans, and who succeeded despite sometimes overwhelming obstacles.”

The roundtables will be videotaped for placement in the Museum’s archives. “I can’t think of a better place than Chicago’s south side, where gospel music was born more than eighty years ago, to hold these historic gatherings,” Rev. Keeble added.

For more information on the Chicago Gospel Music Heritage Museum or the roundtable series, contact Rev. Keeble at 773.870.0224.

Thursday, June 02, 2011

TBGB Founder Featured in Testimony Magazine

Special thanks to Ms. Letitia Scott, Visionary/Publisher of Testimony, for featuring TBGB's Founder and Editor-in-Chief in the magazine's May/June 2011 issue.  The article, "The Gospel Soul Child," is a brief history of how TBGB and the "Gospel Memories" radio program came into existence.

Learn more about Testimony Magazine at http://www.testimonyedition.org/.

Wednesday, June 01, 2011

Trin-i-tee 5:7 - Angel & Chanelle (Deluxe Edition)

Trin-i-tee 5:7
Angel & Chanelle (Deluxe Edition)
Music World Gospel (2011)

By Bob Marovich for The Black Gospel Blog.

On “New Day” from Trin-i-tee 5:7’s latest CD, released yesterday, Angel Taylor and Chanelle Haynes sing about “starting over, ready to make a change, starting from scratch. Letting nothing stand in my way.”

Yes, it is indeed a new day, a time of great change for Trin-i-tee 5:7. What used to be a trio, with Adrian Anderson, is now a duo. Nevertheless, the group still turns out the experimental, envelope-pushing music that fans have come to know and love about them.

The Deluxe Edition of Angel & Chanelle is separable into three parts. The opening selections contain a hearty helping of mood-setting electronica, including on the first single, “Over and Over,” which features superb vocal work from the song’s producer and Trin-i-tee 5:7’s Nawlins pal, PJ Morton.

Following a Stan Jones-produced melodic praise and worship power ballad called “I Worship Your Name,” the album transitions to the second section, which features a beat-heavy urban AC sound  This part contains “The Cross,” a heavy metal piece written and originally recorded by Prince. It declares the saving power of Christ in fascinating, hard-edged harmonies by the ladies and swatches of funky, Prince-esque psychedelic guitar.

The third section gives listeners an aural glimpse of a mature, beyond-their-years Trin-i-tee 5:7.  Here, “I’m Still Holdin’ On” is the head-turner, a compelling neo-traditional composition produced by Stan Jones that demonstrates the ladies’ stylistic versatility. “Psalm 139” is an equally lovely ballad, striking in its simplicity. “Drops of Rain” is dramatic and calming.  These final three songs contain tremendous feeling and meaning.

Song lyrics center on worship, acceptance, love, and the challenges of daily life that God can see you through. On “Bring Your Praise,” even the simple act of worship can be a force field preventing evil from invading.

If there’s any fault to Angel & Chanelle, it’s that the liner notes are not included in the package but are located instead on the Trin-i-tee 5:7 website. I get the marketing move in sending listeners to the site, but I prefer my composer and musician credits in the jewel case.

Trin-i-tee 5:7’s Angel & Chanelle - Deluxe Edition proves that the more things change, the more they stay the same.  And for the group's fans, that's a very good thing.

Five of Five Stars

Picks: “Over and Over,” “I Worship Your Name,” “I’m Still Holdin’ On.”

NOTE: The regular CD release has twelve songs; the Deluxe Edition contains five additional tracks, bringing the running total of the latter to a disc-packing 17 selections.